Rudolf, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry... See full summary »
Anton Ludvik, aka Gerard, is vice-minister of Foreign Affairs of Czechoslovakia. He realizes he is watched and followed. One day, he is arrested and put into jail, in solitary confinement. ... See full summary »
Rosalie is amicably divorced, dividing her time between her mother's house, with her siblings and small daughter, and César's. He's self made, a scrap iron king, outgoing, amiable, in love ... See full summary »
A Russian emigrant sings in a Shanghai nightclub under the assumed name of Kay Murphy. All she dreams of is a peaceful life with her daughter Vera. But this is only a pipe dream as she has ... See full summary »
Georg Wilhelm Pabst
Raymond Rouleau was essentially a stage director ,but he also played in several interesting movies,Becker's "Falbalas" being the most notable.
"Le Messager " was already his fifth effort ,but it was 1956 ,20 years later,before he made another one,his most famous one, "Les Sorcières De Salem",Arthur Miller's celebrated play ,which he directed first on stage with the same actors (Signoret,Montand).
"Le Messager" takes place in the bush,but was entirely filmed in a studio;it suffers accordingly.
A love triangle :Gabin,,Gaby Morlay and Jean-Pierre Aumont ,the romantic male lead of the era. The love story is undistinguished;the best scenes are to be found in the Africa segment where Aumont falls in love with his mate's wife he has never seen.The moment when the young lad hears her voice ,coming from nowhere ,climaxes the movie.In this atmosphere of intense heat,fever and frustration,it really makes sense.
Coming at a time when the French cinema went from strength to strength,"Le Messager" fell into oblivion ,but might possess considerable appeal for Gabin's buffs.
1 of 1 people found this review helpful.
Was this review helpful to you?