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George McWhirter Fotheringay, while vigorously asserting the impossibility of miracles, suddenly discovers that he can perform them. After being thrown out of a bar for what is thought to be a trick, he tests his powers and eventually sends a policeman to Hades by accident. Worried, he sends the police officer to San Francisco, and seeks advice from the local clergyman, Mr Maydig. Maydig, after having Fotheringay's powers demonstrated to him, quickly planning for reform of the world by means of miracle, but eventually Fotheringay orders a miracle which, due to clumsy wording, backfires. He relinquishes his power and returns to the time before he had it. Written by
Anthony Pereyra <email@example.com>
The film, almost seventy five years after its release as this review is written, still provides a dilemma that could be endlessly discussed on the human condition.
A man is given unlimited power by three deities as they look down on the earth. The mind of Wells is highly visible as the plot develops.
It is approached in a tongue in cheek manner and the special effects of the time must have been very labor intensive in relation to the genius of todays computer graphics.
The moral questions could employ any philosopher in endless discussion. A relatively young Ralph Richardson portraying an old character gives us a glimpse into the early career of a classic British actor.
In a strange way it is a kind of feel good movie and very thought provoking. It may also intrigue the present day viewer as they consider the possibility of the cinema goer in the 1930s wondering how the camera tricks were performed.
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