Young Pud is orphaned and left in the care of his aged grandparents. The boy and his cantankerous old grandfather become inseparable friends. But Gramps is concerned for his grandson's ... See full summary »
Harold S. Bucquet
A GI marries the English girlfriend of his best friend to get her into the U.S. for his friend who lost track of her in the war only to find on returning home that he is stuck with the girl because the friend has married someone else.
In the 1920s, enterprising Louise Randall is determined to succeed in a man's world. She enrolls at business college but her plans for a career change when she falls in love with handsome ... See full summary »
3 horror stories based on the writings of Nathaniel Hawthorne. In the 1st story titled "Dr. Heidegger's Experiment", Heidegger attempts to restore the youth of three elderly friends. In "... See full summary »
Sara and Kurt Muller and their three children are returning to her mother's home in Washington DC after 18 years in Europe. A Romanian Count living there discovers Kurt's attache case full ... See full summary »
In this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for'independence.' ... See full summary »
An ex-con, just out of prison, and his wife meet a screen writer on the train and decide that, since he's writing about crime without knowing much about it, collaborating with him would be ... See full summary »
At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands? Written by
Rod Crawford <email@example.com>
Lucy Cooper's maiden name is Breckinridge. See more »
When George asks his wife about his mother being in the way of the bridge group, the wife's hands change position in three consecutive shots. See more »
A man and a maid stood hand in hand; bound by a tiny wedding band. Before them lay the uncertain years that promised joy and, maybe tears. "Is she afraid?" thought the man of the maid. "Darling," he said in a tender voice, "Tell me. Do you regret your choice? 'We know not where the road may wind, 'or what strange byways we may find. 'Are you afraid?" said the man to the maid. She raised her eyes and spoke at last. "My dear," she said, "the die is cast. 'The vows have been spoken. The rice has ...
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One of the few American movies to look seriously (and reasonably honestly) at old age, this 1937 melodrama won wonderful reviews, but apparently it was so sad that audiences couldn't bear to look at it. While McCarey was justly celebrated for his sensitive direction, let's start with the shrewd, shaded screenplay, where nobody's entirely good or bad: The children do mean well, but let selfishness intervene; the aged parents are victims, but they're also unavoidably inconvenient and occasionally annoying. It is, unfortunately, a timeless topic -- parents turning into dependent children, children turning into their parents' parents, and the government yammering ineffectually about the problem decade after decade.
McCarey spins the tale out with subtle humor -- just a wink from Victor Moore, a visual aside by Beulah Bondi, says more than several lines of dialogue would. Plus, this is a couple whose passion has survived the years; they can't keep their hands off each other. The notion's a bit hard to swallow, perhaps a contrivance to tilt the viewer's sympathies more in their direction and away from the thoughtless middle-aged kids. But it does work dramatically and makes the last 20 minutes or so almost unbearably poignant. And the last shot, of Bondi, is unforgettable; it's up there with Garbo in "Queen Christina."
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