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Make Way for Tomorrow (1937)

Passed  |   |  Drama, Romance  |  7 October 1937 (France)
8.2
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Ratings: 8.2/10 from 4,043 users  
Reviews: 52 user | 60 critic

An elderly couple are forced to separate when they lose their house and none of their five children will take both parents in.

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(screen play), (based on a novel by), 3 more credits »
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Title: Make Way for Tomorrow (1937)

Make Way for Tomorrow (1937) on IMDb 8.2/10

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Cast

Complete credited cast:
Victor Moore ...
...
Fay Bainter ...
Anita Cooper
...
Porter Hall ...
Harvey Chase
Barbara Read ...
Maurice Moscovitch ...
Elisabeth Risdon ...
Minna Gombell ...
Ray Mayer ...
Ralph Remley ...
Louise Beavers ...
Mamie
Louis Jean Heydt ...
Doctor
Gene Morgan ...
Carlton Gorman
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Storyline

At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 October 1937 (France)  »

Also Known As:

The Years Are So Long  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Leo McCarey was making The Milky Way (1936) with Harold Lloyd when he accidentally drank some contaminated milk and became so ill that he nearly died. This brush with mortality - and the recent death of his own father - made him want to make the film. McCarey in fact was so ill that he was unable to attend the funeral of his beloved father. See more »

Goofs

George's position changes from erect to leaning on the table when he asks his wife about bridge and his mother. See more »

Quotes

Pa: Two old-fashioneds, for two old-fashioned people.
See more »

Connections

Referenced in Rebel Rabbit (1949) See more »

Soundtracks

M-O-T-H-E-R
(1915) (uncredited)
Written by Theodore Morse
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User Reviews

 
Respect your parents
25 April 2010 | by (Massachusetts) – See all my reviews

Make Way for Tomorrow is one of the most personal, heart-wrenching films every recorded on celluloid. Though it's story is utterly sad, nay, depressing, it is one of the most beautiful films ever made. It does not hold back and goes places the heart and mind would not like to wander of to.

We find ourselves in the midst of the Great Depression. A time before social security was put into play. We are introduced to Barkley and Lucy Cooper (Victor Moore and Beulah Bondi), an elderly couple who have just lost their home to the bank. They have known for several months, but saw no need to panic and tell their children just a few days before they are expected to move. The children are none too pleased that their parents are losing their house. More so because they will have to bare the burden of caring for them while they try and find a place of their own. With the unstable economy, it might be a while.

Lucy stays with her son George (Thomas Mitchell) and his wife and child while Barkley stays with their daughter Cora, several hundred miles apart from Lucy. They both find life with their children to be a bit unbearable. They have their good days, but mostly they find themselves getting in the way and becoming a nuisance. George's wife and daughter complain of being constantly bothered and having to deal with Lucy. Meanwhile Barkley health starts to get worse and Cora reluctantly must look after him.

The doctor says that Barkley must move to a warmer climate or else he could get worse. Lucy too finds that she is being shooed away by her own family. It is decided that Barkley must go to California with their other daughter but that only he can go because that is all their daughter can handle at the moment. Lucy and Barkley get together and spend the day with each other before he must head out west.

Just thinking of this sweet couple and what they are going through is hard. After having spent 50 years together, living in the same house and raising five children, to suddenly have everything taken away and having to live far apart must be devastating. They endure and try to make the best, just like they have been doing their whole lives.

One would think that the children, who were raised and cared for by their parents, would be sympathetic and a little less critical about the situation. It's hard to imagine that collectively their children can muster up the heart to care for their aging parents.

McCarey, whose work primarily consisted of both physical and witty comedies, delivers a much darker and emotional whopper of a film. It doesn't hold back and delivers scene after scene a new piece of drama that just makes you want to reach out and help these people. His style is not the most technically advanced, but the story he delivers is second to none. One aspect of his film-making that I enjoyed were the longer shots of conversation and contemplation. It makes the actors work harder and gets a much more personal performance onto the screen.

The acting is spot on. Both Moore and Bondi give fantastic performances, each playing their age perfectly. Somewhat forgetful yet always sincere and never mean. The children too, especially Mitchell, do a wonderful job in conveying their feelings about their situation. It's obvious that these aren't the greatest children in the world, but they are by no means the worst. Mitchell truly feels sorry for his parents, but he is also aware that he has a family that needs taking care of and their needs have been placed higher than his parents.

The final scenes of this film are some of the most intense and moving ever. I mean ever. I have never been more surprised, delighted, and completely torn apart over what was unfolding before my eyes. It's an absolutely brilliant sequence of events, culminating to an end that only a master of his craft could orchestrate.


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