How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Patriarch Borgen has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, ... See full summary »
Carl Theodor Dreyer
Emil Hass Christensen,
Preben Lerdorff Rye
Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. ... See full summary »
Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. This changes his life, for when the ... See full summary »
This study of Cuba--partially written by renowned poet Yevgeny Yevtushenko--captures the island just before it made the transition to a post-revolutionary society. Moving from city to ... See full summary »
In Tokyo in 1888, Kikunosuke Onoue, the adoptive son of an important actor, discovers that he is praised for his acting only because he is his father's heir, and that the troupe complains ... See full summary »
Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he ... See full summary »
At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands? Written by
Rod Crawford <email@example.com>
When Leo McCarey received his 1937 Best Director Oscar for "The Awful truth," he reportedly said that he got it for the wrong film, a clear reference to his fondness for "Make Way for Tomorrow." See more »
Position of George and Anita's hands change when talking about Rhoda getting her own apartment. See more »
Why don't you face facts, Grandma?
[Pats her hand]
When you're seventeen and the world's beautiful, facing facts is just as slick fun as dancing or going to partis, but when you're seventy... well, you don't care about dancing, you don't think about parties anymore, and about the only fun you have left is pretending that there ain't any facts to face, so would you mind if I just went on pretending?
See more »
MAKE WAY FOR TOMORROW (Paramount, 1937), directed by Leo McCarey, ranks one of the very best and well scripted dramas from the Golden Age of Hollywood, and one worthy of recognition and/or rediscovery. No longer available on any local TV channel as it was in the 1970s, MAKE WAY FOR TOMORROW had frequent revivals on American Movie Classics, from June 20, 1994 until its final air date, April 3, 1999, and a Turner Classic Movies premiere September 6, 2010. Thus far, it's never been distributed on either video cassette or DVD.
Yes, MAKE WAY FOR TOMORROW is sad, moving, but so very true to life dealing realistically about coping with old age. Victor Moore and Beulah Bondi (in possibly the best film role in her entire career) play an elderly couple who lose their home and find that their adult children are finding excuses NOT to take them in. A situation that even rings true even by today's society. Leo McCarey won an Academy Award as Best Director that year for the comedy THE AWFUL TRUTH (Columbia), starring Irene Dunne and Cary Grant. McCarey was reported to have said that he had won for the wrong movie, that it should should have won for this one. I agree. As much as THE AWFUL TRUTH is a fine movie in its own right, MAKE WAY FOR TOMORROW is a far better production, dramatically anyway.
In support here are Fay Bainter (in a rare unsympathetic role); Thomas Mitchell (the only one of the children to know how selfish he has been while the others refuse to realize it themselves), Porter Hall, Barbara Read (as the adolescent granddaughter) and Elisabeth Risdon. While MAKE WAY FOR TOMORROW lacks star names, it consists of character actors in leading parts, which is just as good. Victor Moore, usually in comedic supporting parts or leads in program productions (better known as "B" movies), is fine in a rare dramatic role, but is overshadowed by Beulah Bondi, whose performance is excellent as well as tear inducing. Although she plays a woman possibly in her late 70s, she was actually 45 when the film was made. Sadly, MAKE WAY FOR TOMORROW did not receive a single Academy Award nomination. If a nomination was to be offered, it definitely would go to Bondi as Best Actress for such highlights as sitting sadly in her rocking chair as the radio plays the sentimental score of "I Adore You" as introduced in Paramount's own COLLEGE HOLIDAY (1936), along with her closing scene at the train station bidding husband Moore farewell to the underscoring of "Let Me Call You Sweetheart," scenes that remain in memory long after the movie is over.
The plot might sound trite in print, but to see it is to appreciate the kind of movie that can never be remade in the same manner as the original nor come anywhere close to great motion picture making such as this one. (***1/2)
54 of 56 people found this review helpful.
Was this review helpful to you?