At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands? Written by
Rod Crawford <firstname.lastname@example.org>
When Leo McCarey received his 1937 Best Director Oscar for "The Awful truth," he reportedly said that he got it for the wrong film, a clear reference to his fondness for "Make Way for Tomorrow." See more »
George's position changes from erect to leaning on the table when he asks his wife about bridge and his mother. See more »
Why don't you face facts, Grandma?
[Pats her hand]
When you're seventeen and the world's beautiful, facing facts is just as slick fun as dancing or going to partis, but when you're seventy... well, you don't care about dancing, you don't think about parties anymore, and about the only fun you have left is pretending that there ain't any facts to face, so would you mind if I just went on pretending?
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Beulah Bondi gave her greatest performance as a mistreated elderly mother in this bittersweet, highly underrated Leo McCarey gem. Oscar should have noticed. (Actually, McCarey did win the Best Director Oscar that year, for the screwball comedy "The Awful Truth" - also written by Vena Delmar. In his acceptance speech, McCarey thanked the Academy, but said "you've given me this for the wrong film" - referring to "Make Way For Tomorrow.") Believe it or not, Bondi was only 48 at the time of filming, only four years older than the actors playing her children. A marvelous performance, and a lovely film
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