A priest (William Holden) arrives at a mission-post in China accompanied by a young native girl who has joined him along the way. His job is to relieve the existing priest (Clifton Webb), ... See full summary »
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and ... See full summary »
In 1923, in the province of Shinshu, the widow and simple worker of a silk factory Tsune Nonomiya (O-Tsune) decides to send her only son to Tokyo for having a better education. Thirteen ... See full summary »
Sam Clayton has a good heart and likes to help out people in need. In fact, he likes to help them out so much that he often finds himself broke and unable to help his own family buy the things they need--like a house.
At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands? Written by
Rod Crawford <firstname.lastname@example.org>
When Leo McCarey received his 1937 Best Director Oscar for "The Awful truth," he reportedly said that he got it for the wrong film, a clear reference to his fondness for "Make Way for Tomorrow." See more »
The position of Mr. Rubens' arm changes when telling Bark that kids are ashamed of parents. See more »
Quote at beginning of movie:
Life flies past us so swiftly that few of us pause to consider those who have lost the tempo of today. Their laughter and their tears we do not even understand for there is no magic that will draw together in perfect understanding the aged and the young. There is a canyon between us, and the painful gap is only bridged by the ancient words of a very wise man... HONOR THY FATHER AND THY MOTHER.
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Only three things need be said about this exquisite film. Orson Welles said it could make a stone cry. Jean Renoir said that it proved that McCarey was one of the few directors who really understood people. Finally, Robin Wood-gay Marxist atheist- praised it as one of the few good films about old people.( The only other ones I can think of are Scorsese's short documentary about his parents, and- strange to say- Lynch's forthcoming film about the old fellow who drove a John Deere tractor 275 miles to visit his dying brother.) Wood also praised its Marxist critique of the capitalist system. However, its not so much "Marxist' as it is rooted in the best traditions of Catholic socialism, traditions that, judging by some of his later films, McCarey may not have fully understood. P.S. I just thought of two other fairly good films about the aged-Wrestling Ernest Hemingway and The Whales of August.
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