Thrown out of her home after her husband discovers her infidelity, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on revealing her degraded ...
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When her lover is killed, the wife of a wealthy man is convinced to fake her own death, which leads her into greater depths of depravity until fate reunites her with her long-lost son, who is unaware of her real identity.
David Lowell Rich
Thrown out of her home by a jealous husband, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on harming her daughter. The daughter, unaware of who... See full summary »
Thrown out of her home by a jealous husband, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on harming her son. The son, unaware of who the woman... See full summary »
Spoilt child Geoffrey Bramer teams up with a pair of small time crooks to pose as an aristocrat and steal jewelry from exclusive shops. During a a caper, Geoffrey is caught and is sentenced... See full summary »
An ambitious barrister and his wife are targeted by blackmailers. In trying to save her husband, the wife becomes involved in a murder case her husband is trying. For his part, the husband's actions make him a suspect in a related murder.
Inspector Marney of Scotland Yard travels to Calcutta to investigate the murder of Leonard Lee, a generally despised man in these parts. John Wales, who did consider Lee a friend - his best... See full summary »
Gladys George, a superlative actress often wasted in secondary roles, carries her starring assignment in Valiant is the Word for Carrie with singular brilliance. George plays the town ... See full summary »
Thrown out of her home after her husband discovers her infidelity, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on revealing her degraded status to her husband and the son she left behind. The son, unaware of her identity, becomes her defense attorney. Written by
Katharine Holden <email@example.com>
The play originally opened in Paris, France, on 15 December 1908. An English translation of the play by John Raphael opened in New York City, New York, USA on 2 January 1910 and had 125 performances. See more »
To understand "Madame X" you need to realize it was based on a 1908 French play by Alexandre Bisson (1848-1912) that reflected 19th Century morality. It was filmed in 1916, 1929 (Ruth Chatterton directed by Lionel Barrymore), 1937 (this version), 1954, 1966 (Lana Turner), and 1981. The 1937 version reflects a slightly different morality, not only more recent, but also examined from an American POV rather than the European. Watching it in the 21st century, one has to take all these influences into account.
Gladys George (1904-54) plays Madame X and gives an excellent performance, her career best, and probably among the top 50 performances ever given on film. It's uncanny how she ages 20 years not only in appearance, but in manner, voice, etc. To modern audiences it may look a little over the top, but for the 1930s and set in the early 1900s, it isn't.
George was nominated for an Oscar for "Valiant is the Word for Carrie" (1936) but is probably better known as Jimmy Cagney's moll from "The Roaring Twenties" (1939) or Humphrey Bogart's dead partner's wife from "The Maltese Falcon" (1941).
Warren William (1894-1948) plays George's husband, a wealthy lawyer too proud to forgive Madame X her trespass, sending her away and setting in motion the sad story. William is best known for his role as d"Artagnan in "The Man in the Iron Mask" (1939) and as the first Perry Mason in a series of mid 30s films. His work here is quite good.
John Beal (1909-97) plays George's son, who thinks his mother is dead. Beal made nearly 100 films between 1933 and 1993, usually as a second male lead in B films. He's best known for his role as Judge Vail in TV's "Dark Shadow" (1970-71). He is effective in this role, meant for Tyrone Power, and his final scene with George is a real tear jerker.
Reginald Owen (1887-1972) as a friend of the family and Henry Daniell as a sleaze-bag blackmailer both do their usual good jobs in supporting roles.
Sam Wood directs. He hit his stride in the 30s with this film and "A Night at the Opera" (1935), "A Day at the Races" (1937), and "Goodbye Mr. Chips" (1939). He's also known for "Kings Row" (1942), "Pride of the Yankees" (1942) and "For Whom the Bell Tolls" (1943).
In addition to George's bravura performance, the film has some good looking transition effects and shows the passage of time in a creative way, at least by 1930s standards. The sex and violence are merely hinted at, yet nonetheless effective.
Bottom line - a memorable tear jerker with a truly great performance.
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