Blake is in love with an aristocratic woman whose husband seriously injures him. Blake's friendship with Lord Nelson provides the basis for Blake's part in the growth of Lloyd's insurance ... See full summary »
The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's ... See full summary »
Old friends Ward and Phillip both become smitten with Phillip's mother's attractive young secretary Stella. But Stella marries Phillip and stands by him as his behavior becomes more and ... See full summary »
Three working girls in Budapest pool their resources to get a better apartment and impress their dates. One dates a nobleman and, learning of her rejection by him, considers poison. Another... See full summary »
Music-hall star Madeleine Marlowe leaves London engaged to the Duke of Trippingham only to find back home that Police Gazette hack Samuel A. McGee has exposed her as former burlesque queen ... See full summary »
When a crafty reporter uses false pretenses to get a story out of heiress Tony Gateson, she turns the tables on him, telling the press that she's engaged to him and that she's given him a million dollar dowry. Suddenly he's on the front page and every salesman is at his doorstep. He loses his job and a day later asks her to call off the ruse; she tricks him again and the publicity continues. She stays cheerful and resourceful through a series of misadventures that has him alternately back on his job and fired. Meanwhile, a count who's her ex-fiancé shows up in New York, and maybe that marriage is back on. Can an heiress be a human being, and can a reporter get a scoop? Written by
Wrong actors and director to handle screwball comedy - This could have been good
While watching Love is News, what I wished for was that this film would have been cast and directed by a whole different team. Because I like screwball comedy, it's hard to do, and requires a finesse, a light touch, and a specific feather tone from both director and actors to handle delicate material - like a soufflé - a little bit too heavy- handed, and it falls flat. With the exception of Slim Summerville as the small-town judge, the performances were uniformly bad. None of the very young and green principals knew how to handle comedy - so they just went broad and big - Don Ameche bellowed, Loretta grinned and mugged, and Tyrone Power was over-animated. Of course it was the director's fault - pump it up, give me bigger, bigger. But he was dealing with actors who were not natural comedians, whose charms were more in smaller gestures. I kept dreaming of the usual stable who could handle the material - Jean Arthur, Carole Lombard, Cary Grant, Melvyn Douglas - because the storyline was fun and sillilly amusing - an heiress turns the tables on a reporter, and decides to put him under the glare of publicity by planting a false story. I watched it all the way through, seeing potential in the script, and wishing it had been at another studio and cast differently, with a different director. I think it could have been a classic. There were priceless moments, from the fake car crash, to the jail scene, the airport scene - that with the right actors and a director like Mitchell Leisen or Greg LaCava or Howard Hawkes could have catapulted this film in a minor classic instead of an ersatz version of the classic screwballs by people who knew how to do it
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