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Love Is News (1937)

7.1
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Ratings: 7.1/10 from 310 users  
Reviews: 9 user | 6 critic

Financier's daughter spars with newspaper reporter: he by writing about her, she by announcing their engagement.

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(screen play by), (screen play by), 5 more credits »
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Title: Love Is News (1937)

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Cast

Cast overview, first billed only:
...
...
...
Martin J. Canavan
...
Judge Hart
Dudley Digges ...
Cyrus Jeffrey
Walter Catlett ...
Eddie Johnson
Pauline Moore ...
Lois Westcott
...
Mrs. Flaherty
Stepin Fetchit ...
Penrod
...
Count Andre de Guyon
...
Egbert Eggleston
Frank Conroy ...
A.G. Findlay
...
Kenyon
Charles Williams ...
Joe Brady
Julius Tannen ...
Logan
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Storyline

When a crafty reporter uses false pretenses to get a story out of heiress Tony Gateson, she turns the tables on him, telling the press that she's engaged to him and that she's given him a million dollar dowry. Suddenly he's on the front page and every salesman is at his doorstep. He loses his job and a day later asks her to call off the ruse; she tricks him again and the publicity continues. She stays cheerful and resourceful through a series of misadventures that has him alternately back on his job and fired. Meanwhile, a count who's her ex-fiancé shows up in New York, and maybe that marriage is back on. Can an heiress be a human being, and can a reporter get a scoop? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 February 1937 (USA)  »

Also Known As:

Amor y periodismo  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA High Fidelity Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Remade years later as That Wonderful Urge (1948). Tyrone Power also starred in this version in much the same role as before. His co-stars were Gene Tierney (in the Loretta Young role), and Reginald Gardiner (in the George Sanders role). See more »

Quotes

Steve Leyton: [to Martin Canavan as both are laughing] Remember the last time you tore up my contract and gave me a new one?
Steve Leyton: [still laughing] Remember what I told you to do with it?
Steve Leyton: [laughing even louder] Well, if you're not too tired, do it again!
[they both continue to laugh hysterically]
See more »

Connections

Remade as That Wonderful Urge (1948) See more »

Soundtracks

Love Is News
(1936) (uncredited)
Music by Lew Pollack
Lyrics by Sidney D. Mitchell
Sung during the opening credits by an unidentified singer
Played a few times in the score
See more »

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User Reviews

 
Wrong actors and director to handle screwball comedy - This could have been good
19 December 2009 | by (United States) – See all my reviews

While watching Love is News, what I wished for was that this film would have been cast and directed by a whole different team. Because I like screwball comedy, it's hard to do, and requires a finesse, a light touch, and a specific feather tone from both director and actors to handle delicate material - like a soufflé - a little bit too heavy- handed, and it falls flat. With the exception of Slim Summerville as the small-town judge, the performances were uniformly bad. None of the very young and green principals knew how to handle comedy - so they just went broad and big - Don Ameche bellowed, Loretta grinned and mugged, and Tyrone Power was over-animated. Of course it was the director's fault - pump it up, give me bigger, bigger. But he was dealing with actors who were not natural comedians, whose charms were more in smaller gestures. I kept dreaming of the usual stable who could handle the material - Jean Arthur, Carole Lombard, Cary Grant, Melvyn Douglas - because the storyline was fun and sillilly amusing - an heiress turns the tables on a reporter, and decides to put him under the glare of publicity by planting a false story. I watched it all the way through, seeing potential in the script, and wishing it had been at another studio and cast differently, with a different director. I think it could have been a classic. There were priceless moments, from the fake car crash, to the jail scene, the airport scene - that with the right actors and a director like Mitchell Leisen or Greg LaCava or Howard Hawkes could have catapulted this film in a minor classic instead of an ersatz version of the classic screwballs by people who knew how to do it


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