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The Life of Emile Zola (1937)

 -  Biography | Drama  -  2 October 1937 (USA)
7.4
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Ratings: 7.4/10 from 3,921 users  
Reviews: 40 user | 29 critic

The biopic of the famous French muckraking writer and his involvement in fighting the injustice of the Dreyfuss Affair.

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Won 3 Oscars. Another 4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Erin O'Brien-Moore ...
Nana (as Erin O'Brien Moore)
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Charpentier
Henry O'Neill ...
Morris Carnovsky ...
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Commander of Paris
Robert Barrat ...
Vladimir Sokoloff ...
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Storyline

Fictionalized account of the life of famed French author Emile Zola. As portrayed in the film, he was a penniless writer sharing an apartment in Paris with painter Paul Cezanne when he finally wrote a best-seller, Nana. He has always had difficulty holding onto a job as he is quite outspoken, being warned on several occasions by the public prosecutor that he risks charges if he does not temper his writings. The bulk of the film deals with his involvement in the case of Captain Alfred Dreyfus who was falsely convicted of giving secret military information to the Germans and sentenced to life imprisonment on Devils Island. Antisemitism played an important role in the real-life case but is hardly mentioned in the film. Even after the military found definitive evidence that Dreyfus was innocent, the army decided to cover it up rather than face the scandal of having arbitrarily convicted the wrong man. Zola's famous letter, J'Accuse (I Accuse), led to his own trial for libel where he was ... Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

He'll Hold You In Silence As Deep As Your Emotions ! See more »

Genres:

Biography | Drama

Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

Release Date:

2 October 1937 (USA)  »

Also Known As:

Emile Zolas liv  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

To research his role, Paul Muni read all of Emile Zola's works, researched the entire Dreyfus affair and experimented with different types of make-up designs with the help of leading film make-up artist, Perc Westmore. See more »

Goofs

When Erin O'Brien-Moore as Nana comes into the café from the snow, the artificial snow stays on her clothes long after real snow would have melted, then suddenly in a second it disappears with the next cut. See more »

Quotes

Émile Zola: At this solemn moment, in the presence of this tribunal, which is the representative of human justice, before France, before the whole world, I swear that Dreyfus is innocent! By all that I have won, by all that I have written to spread the spirit of France, I swear that he is innocent. May all that melt away; may my name perish if Dreyfus be not innocent. He is innocent.
See more »

Connections

Remade as Lux Video Theatre: The Life of Emile Zola (1955) See more »

Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Variations often in the score
See more »

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User Reviews

Memorable Courtroom Speeches
22 September 2003 | by (Cleveland, Ohio) – See all my reviews

Such occasions are not unlike great arias in operas: the stage lights softly dim and follow spot brightens as all cast characters (and audience) lean forward to focus on the delivery.

Such a moment occurs in "The Life of Emile Zola" as Paul Muni as Zola steps to the platform to deliver his courtroom defense speech. Against all the odds of a jeering mob and negative press, he proceeds to offer a seven minute oration.

The scene is a set-up for Muni, and the camera, editing, and staging are all designed for the actor to deliver his thespian goods. He doesn't disappoint.

Two other cinematic courtroom speeches are comparable: Alec Guiness as Benjamin Disraeli in "The Mudlark" (1950) enjoyed the rare opportunity of having his six minute, uninterrupted speech done in a single, slow tracking shot; and Gary Cooper as Howard Roark in "The Fountainhead" (1949) held a courtroom breathless for over five minutes, defending his act of poetic, if not Randian-judicial, justice.

In Muni's case, his defense scene turned out to be a highpoint of an intriguing acting career. From Yiddish theater to worldwide stardom--with fewer that two dozen films to his credit--Muni constantly enthralled some while leaving others doubtful.

What's undeniable about Muni is that he achieved stardom on his own power. He was able to convince a goodly number of people, both peers and public alike, that he was indeed not just a good but great actor.

While some held a sneaking suspicion that he was a wee bit of a poseur, having never formally studied his craft, it really doesn't matter. Muni didn't win his lucrative acting contracts--or his Academy Award honors--for nothing.

Personally, I enjoy his general work, being more partial to roles more close to his own than those of his elders. In latter cases I felt he often tended to go a bit over-the-top with "stereotypical mannerisms."

As Zola, though, his earnestness and determination proves convincing, and the film itself is peopled with a powerhouse cadre of Warner Bros. character players.

To the film's credit, a pre-enactment inscription admits to the intermingling of fiction with fact for dramatic purposes. This also relieves the production of accusations of historical inaccuracy.

All in all, "The Life of Emile Zola" is a most engrossing biopic of a courageous literary giant who placed the pursuit of justice above the receiving of worldly accolades.


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