With the help of his mechanic buddy, an engineer, and the company's attractive new publicist, an automotive test driver struggles to develop a new carburetor by entering cars in the Indy 500 and speed trials at California's Muroc Dry Lake.
A Parisian sewer worker longs for a rise in status and a beautiful wife. He rescues a girl from the police, lives with her in a barren flat on the seventh floor, and then marches away to ... See full summary »
Kay is a girl living in a small rural town whose life is just too dull and repetitious to bear. One night, she meets young, handsome, and rich Bob Dakin, who asks her for directions while ... See full summary »
This is a story about family relationships, set in the time before and during the American Civil War. Ethan Wilkins is a poor and honest man who ministers to the human soul, while his son ... See full summary »
Detective Guy Johnson's client, Willie Heywood is framed for murder and while Guy hides him so he can catch the real killer, both of them are nabbed by the police, tried, convicted and ... See full summary »
W.S. Van Dyke
Gangster Joe Krozac is in prison for ten years. Reporter Paul North is fired by his newspaper for writing articles sympathetic to Krozac's wife and young son. She divorces Krozac and marries North. When Korzac gets out he goes looking for his former wife and son. Written by
Ed Stephan <email@example.com>
This film was first telecast in Los Angeles Thursday 3 January 1957 on KTTV (Channel 11), followed by Philadelphia Saturday 23 February 1957 on WFIL (Channel 6) and New York City Friday 21 June 1957 on WCBS (Channel 2); in San Francisco it was first aired 24 January 1958 on KGO (Channel 7). See more »
All of Rose Stradner's clothing and hairstyles in the 1927 sequences are strictly in the style of 1937. See more »
[after he finds out she's pregnant]
You're happy, Joe?
Happy? Why, I'm so happy I'd like to go up and bust someone in the nose!
See more »
There are a lot of theoretical strikes against this movie-- Robinson playing a Capone lookalike for the zillionth time (right before he switched mainly to playing them for comedy in things like A Slight Case of Murder and Brother Orchid); post-Code MGM instead of pre- Code Warner Bros., which surely means a softer handling of the gangster theme; a no-name director and female co-star, Jimmy Stewart in a thankless good guy role; and, not least, a sort of gangster Sin of Madelon Claudet plot in which Robinson gets to get weepy about not knowing his son while he's in Alcatraz.
And amazingly, it's all handled remarkably freshly-- and toughly, especially from the point where the movie pulls the rug out from under big shot Robinson with a long and realistically bleak prison train sequence. Almost every opportunity to sink into cliche is rethought to find a fresher angle-- instead of the archetypal Warner Bros. tough-guy prison, with the warden acting like a crime boss himself to keep his charges in line, the movie's Alcatraz is a streamlined, impersonal machine for reducing men to numbers, the striking production design as institutionally cold as the manner of the warden. The classic welcome home from the boys (such lovable gangster lugs as Lionel Stander and Edward Brophy) takes a highly unexpected turn-- and keeps turning. Although the scenes where he finally meets his son again are hampered by unrealistic dialogue for the kid, in all this is a strong and thoughtful adult drama which brings emotional realism back to a genre usually riddled with cliches.
18 of 18 people found this review helpful.
Was this review helpful to you?