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Knight Without Armor (1937)
"Knight Without Armour" (original title)

6.9
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Ratings: 6.9/10 from 615 users  
Reviews: 25 user | 5 critic

After two years as a Czarist British agent posing as a Russian Commissar, he rescues a Russian countess from her Bolshevik captors.

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(novel), (adaptation), 2 more credits »
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Title: Knight Without Armor (1937)

Knight Without Armor (1937) on IMDb 6.9/10

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Cast

Cast overview, first billed only:
...
Countess Alexandra Vladinoff
...
Ainsley J. Fothergill aka Peter Ouronov
Irene Vanbrugh ...
Duchess of Zorin
Herbert Lomas ...
Gen. Gregor Vladinoff
Austin Trevor ...
Col. Adraxine
Basil Gill ...
Axelstein
David Tree ...
Alexis Maronin
John Clements ...
Poushkoff
Frederick Culley ...
Stanfield
Laurence Hanray ...
Forrester
Dorice Fordred ...
The Maid
Franklin Kelsey ...
Tomsky
Laurence Baskcomb ...
Commissar (as Lawrence Baskcomb)
Hay Petrie ...
Station Master
Miles Malleson ...
Drunken Red Commissar (as Miles Malieson)
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Storyline

Because he can pass as a Russian, A.J. Fothergill is recruited to spy on the revolutionary movement in Russia in 1913. He becomes imprisoned in Siberia, as a revolutionary, until the 1917 uprisings. Amid the turmoil of the civil war between the red and white armies, he tries to flee Russia along with the beautiful Countess Alexandra. Written by Will Gilbert

Plot Summary | Add Synopsis

Taglines:

The woman of flame -- the man of steel -- together !


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Parents Guide:

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Details

Country:

Language:

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Release Date:

23 July 1937 (USA)  »

Also Known As:

Knight Without Armor  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

During the bathtub scene, Marlene Dietrich slipped on a bar of soap, falling naked and spreadeagled before cast and crew. Ever the professional, she picked herself up, laughed and continued shooting. See more »

Goofs

When Donat enters train stain with the stationmaster, shadows of camera and crew are clearly visible. See more »

Quotes

Ainsley J. Fothergill aka Peter Ouronov: [the darkness of the gulag is making him lose his mind. Shouting] Night... night... night! Night all the time! Ceaseless night! Nothing but night all over the earth! The sun must be dead! Everything must be dead! We're the last things alive!
See more »

Connections

Featured in Shepperton Babylon (2005) See more »

Soundtracks

Alexandra's Song
Music by Miklós Rózsa
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User Reviews

 
Superb Dietrich Vehicle
18 December 2004 | by (Alexandria, VA, USA) – See all my reviews

Hardly ever seen on TV or cable, this sweeping spectacle is a rare but welcome opportunity to see Marlene at the height of her powers as a star. Sadly, good prints seem to be rare. We saw it on a slightly scratchy VHS cassette we bought used on the internet but it brought back wonderful memories and its attention to period Russian detail is truly great. After a while the film overcame its physical limitations (in the print). The Russian atmosphere is superior to that in Dr. Zhivago, which seems flat and two dimensional in many ways.

The first appearance of Alexandra at the races in England, her departure by train for Russia, her presentation at court in a procession of girls in white presentation gowns and Russian headdresses--all perfectly detailed--to Nicholas and Alexandra, ("Lucky devil", a court lady says of her fiancé, "he is the most stupid officer at court and she is the smartest girl"), the attempted assassination of her father in her wedding procession across a bridge in St. Petersburg, her taking tea alone at the gardens of the neoclassical Adraxin country estate, served by a procession of servants and then waking up and finding the servants have deserted, the Revolution having begun, are all extremely beautifully done. True to 1930's convention, her makeup is never out of place, except in one scene when peasants capture her in her gauzy nightgown and negligee.

Robert Donat is a perfect foil to her elegance, dashing and always the epitome of 1930s savoir faire. His scenes as a prisoner in Siberia are also very well done.

All in all a great 1930's adventure of the highest style. They will never make another one like this! Jacques Feyder was a great director and his use of Marlene is equal to von Sternberg's. Bravo Countess Adraxin! Another great and sadly overlooked star vehicle for La Dietrich!


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