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King Solomon's Mines (1937)

6.5
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Ratings: 6.5/10 from 631 users  
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White hunter Allan Quartermain and his enigmatic guide help a young Irish woman locate her missing father in unexplored Darkest Africa.

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Title: King Solomon's Mines (1937)

King Solomon's Mines (1937) on IMDb 6.5/10

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Cast

Complete credited cast:
...
...
...
...
Kathleen 'Kathy' O'Brien
John Loder ...
Arthur Sinclair ...
Patrick 'Patsy' O'Brien
Robert Adams ...
Arthur Goullet ...
Sylvestra Getto (as Arthur Goullett)
Ecce Homo Toto ...
Makubalo Hlubi ...
Kapse
Mjujwa ...
Rest of cast listed alphabetically:
Ben Kubela
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Storyline

Fortune hunter Patrick O'Brien has left his daughter Kathy and guide Umbopa to trek across the desert in hopes of finding the fabled diamond mines of Solomon. Worried about her father, Kathy persuades hunter Allan Quartermain to lead a party to rescue him. After surviving the desert they are found by natives and brought to their chief, Twala. Umbopa reveals himself to be the true heir to the tribal throne, having been exiled years earlier by Twala and the tribal witch, Gagool. Quartermain's only hope to gain access to the mines and the possible rescue of O'Brien is to try to help Umbopa regain his rightful place as chief. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

26 July 1937 (USA)  »

Also Known As:

As Minas de Salomão  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(British Acoustic)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Some exteriors were shot on location in KwaZulu-Natal, South Africa, using stand-ins for the lead actors. No cast members traveled to South Africa from England to work on the film. See more »

Goofs

As the party climbs the mountains, Umbopa appears to be wearing shoes in some shots. See more »

Quotes

Patrick 'Patsy' O'Brien: Well, you never know what you can do 'til you try.
Allan Quartermaine: While you're trying, your poor sister's peacefully passing away in Kilkenny.
Kathleen 'Kathy' O'Brien: Allan Quartermain, it was a lie about me father's sister.
Allan Quartermaine: I know. I've met the Irish before.
See more »

Connections

Version of King Solomon's Mines (1986) See more »

Soundtracks

Kukuwana
Music by Mischa Spoliansky
Lyrics by Eric Maschwitz
Sung by Paul Robeson
See more »

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User Reviews

 
The Granddaddy of Indiana Jones (but not British imperialist propaganda)
1 September 2013 | by (United States) – See all my reviews

Note to Thinker: If a movie begins with a semi-naked guy banging a gong, it's a British movie, if with a virgin holding a torch, it's from Hollywood.

To spell it out, this is a Gaumont British Picture Corporation picture, studio of Hitchcock's The 39 Steps and The Man Who Knew Too Much (1934), as well as Supersonic Saucer, Transatlantic Tunnel, Mister Hobo, and First a Girl, which all sound absolutely fascinating. They really do.

British movies of the 30s generally didn't have the budget or polish of Hollywood productions, and it shows here in the weak editing of early scenes and the slender script. However, they've assembled a first rate cast, except for an annoying Anna Lee.

Gaumont did two things you would not have seen in a Hollywood movie of the time: Location shooting in Africa and giving a black man lead billing. It was a joy seeing Paul Robeson starring in a dignified role. And the African footage is probably better done than the studio scenes. Britain had regularly scheduled flying boat routes to Africa carrying British Imperial mail and passengers in luxury, so the producers would have felt more comfortable shooting in Afria than their California counterparts.

This is the sort of movie I would have watched as a kid on a black and white TV. The slow pace would have benefited from the commercial breaks -- six minutes an hour back then, unlike today when the movie provides a break from the commercials. As a kid I did not feel compelled to rate everything I watched, but if I did, I would have rated it "It's OK." I wonder if kids could bear to sit through it today?

However, there is a reason that adults should watch this, and a way to get kids interested, maybe. King Solomon's Mines (1937) -- and the book -- is the granddaddy of all those adventure, lost world movies, like the Indiana Jones franchise. Watch this and then Indiana Jones and the Last Crusade (1989) back to back. Then consider what they have in common, and you will find the secret formula, kids. (No, I'm not going to spell it out, it's a secret.) As a follow up, ask the kids which is better, and why, and not just the latter's colour and special effects.

Now if you really want to get creative, ask the kid to write a story based on the secret formula. Who knows? H. Rider Haggard wrote this story on a five shilling wager with his brother that he couldn't write a story half as good as Treasure Island, which I haven't read lately, so I can't judge whether King Solomon's Mines is, indeed, half as good. No word on whether his brother paid up. But maybe you will raise the next Spielberg.

King Solomon's Mines is no gem, but it is historically significant. I have noticed of late (say, the last 15 years or so) many British posters complaining about American movies on the slightest pretext, if they are war movies, because they don't provide sufficient credit to British soldiers for whatever battle is portrayed, and if they are the story of an American horse, that they don't mention British horses (or Australian horses, if the reviewer is an Australian). One British reviewer had the gall to call Seabiscuit "American imperialist propaganda." Perhaps I am missing something here, such as when it was that America became imperialist holders of colonies, and what this has to do with a race horse in the Great Depression?

Of course, King Solomon's Mines is not British "imperialist propaganda." Britain is not an imperialist power that holds colonies around the world, and never was. Britain never waged war to protect its colonies against rebellion and revolution, and it certainly never killed innocent, unarmed men, women and children engaged in peaceful protest.

Instead, this movie shows how noble and kind these rich British non-imperialists were, at heart, unlike the poor Irishman who would have stolen the treasure map from a dying man, and the poor Irish woman, who was a chronic liar and thief, not to mention the homicidal maniac tribal chief.

Umboba was a good man, but then he was educated by the British and knew how to speak English (with a Jersy accent), so he was civilized. But even so, he only was able to gain his rightful throne with the help of the British noblemen.

No, King Solomon's Mines is not British imperialistic propaganda. It just fell through a wormhole.

This, however, does not solve the problem. The only solution is for Britain to ban the importation and viewing of all American movies, because, according to a consensus of British viewers, they are all "American imperialist propaganda," no matter what they are about. While we are waiting, if you are British, please, please, please stop watching Hollywood movies. You obviously don't enjoy them. May I suggest some classic British gems like: Leave It to Smith, Britannia of Billingsgate, East Lynne on the Western Front, A Cuckoo in the Nest, and Turkey Time?

As a footnote, the documentary series Queen Victoria's Empire - 2001 (an excellent programme) has some scenes of traditional African native dancing. It is at night around a campfire, so it is hard to see the details, but the costumes have some of the elements shown in King Solomon's Mines, and the drum rhythms are very similar.


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