Nan Reynolds encourages her copywriter husband Bill to open his own agency. Nearly out of business, he finally gets a client. Former girlfriend Patricia Berkeley writes a very successful ... See full summary »
When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. ... See full summary »
A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
Spinster poetess Susan Grieve lives in a Manhattan apartment where naval hero Slick Novak comes with her for a nightcap. Next morning they visit her Connecticut farm where Novak tells her ... See full summary »
Renowned stage actors Basil Underwood and Joyce Arden are partners on and off the stage. An occupational hazard for Basil is that women often fall in love with what they see of him on the stage, he who sometimes indulges that adoration. Basil and Joyce's personal life is passionate and tempestuous characterized by constant fighting and making up, which is often continued on-stage under their breaths. After their latest fight and reconciliation, they decide to get married... for the twelfth time. They are determined to make it to the altar this time. But Basil feels he needs to wipe clean the slate first by doing a favor for a stranger, Henry Grant, whose fiancée has fallen in love with him. With his latest script in hand, Basil vows to make Henry's fiancée fall out of love with him by playing the cad. He finds that it may be more difficult than he first imagined when he finds out that the woman in question is Marcia West, the young woman who professed her love to him earlier in the ... Written by
The script was originally written to star 'Ina Clair' or Gertrude Lawrence in the Joyce Arden role. But neither was a big enough box-office draw, so the part went to Davis. See more »
After Basil ties (off camera) his ascot before breakfast, the tie's spots are showing. Immediately after, same scene, the tie has stripes. Then, in the third scene immediately following, the tie again shows spots. See more »
You're going to have love for breakfast, love for luncheon and love for dinner. Sweet, sugary, sticky worship. You're going to have a steady diet of it till you're ready to scream - you billygoat!
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Although Bette Davis was not noted for her comedic skills, this is one case (in fact, the best case) of how Davis could adapt her intense, almost neurotic, qualities to screwball comedy with excellent results. Watching her get wound-up to the point of explosion (or would that be implosion?) is one of the great treats of this virtually forgotten film. Leslie Howard is her equal as both the catalyst for and the recipient of her eye-popping fits. And, for those of you who think Davis was never young or beautiful, you are in for a surprise. She's probably never looked prettier.
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