The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's ... See full summary »
Tyrone Power is a pilots' pilot, but he doesn't believe in anything beyond his own abilities. He gets into trouble by flying a new fighter directly to Canada instead of to New York and ... See full summary »
Blake is in love with an aristocratic woman whose husband seriously injures him. Blake's friendship with Lord Nelson provides the basis for Blake's part in the growth of Lloyd's insurance ... See full summary »
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Story of the great fire of 1871. Fictional story of two sons of Mrs. O'Leary (the owner of the cow which started the fire), one a rogue (Power) the other a lawyer (Ameche). One of the most expensive films of its time ($1.8 million). Written by
Ed Stephan <firstname.lastname@example.org>
Publicity ads stated that Niven Busch's story was entitled "We, the O'Leary's," but legal records indicate there was never such a story title. The fabrication was developed by someone at Twentieth Century-Fox well after the story and screenplay was completely written, thinking it would give the story a more catchy title. See more »
At 7:45, the position of the kids in the wagon change. See more »
Immortalized by Martha at the beginning of "Who's afraid of Virginia Wolff," "In Old Chicago" is a dramatization (you know, 20th Century Fox style) of the 1871 Chicago fire. As is fitting, it focuses on the owners of the cow that allegedly started it all, the O'Learys. Tyrone Power is the drop dead gorgeous, bad boy brother of good Don Ameche. "Little Miss Alice Faye," (as Martha says) plays Power's love interest, a dance hall girl.
All of the performances are good, the threesome of Power-Ameche-Faye being a great combination that works well here and in "Alexander's Ragtime Band." Faye gets to show off her voice, and she looks very pretty, having graduated from the days when Zanuck tried to make her look like Jean Harlow. The role was actually intended for Harlow, who died before she could do it; Gable was also supposed to be loaned out for the Power role. Power had only started with Fox a year earlier. Harlow's death killed the deal. Also in the film is Rondo Hatton, referred to by Power as "Rondo." Hatton suffered from acromegaly after laughing gas exposure in World War I. Standing side by side were a man who, due to disease, was deformed and ugly, and Power, perhaps the handsomest man in the world. More ironic yet, Power had no appreciation of his looks, feeling they kept him from roles he wanted.
The fire and devastation effects are fantastic, Fox no doubt feeling the "heat" from MGM's "San Francisco" earthquake scenes.
Alice Brady gives a strong performance, with a somewhat melodramatic monologue at the end. She won an Oscar, which was stolen by the person she sent to accept it. A lovely actress, it's a shame she died at the age of 47.
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