The life story of a salt-of-the-earth Irish immigrant, who becomes an Army Noncommissioned Officer and spends his 50 year career at the United States Military Academy at West Point. This ... See full summary »
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest a very old-fashioned, traditional fellow for assault... See full summary »
Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on ... See full summary »
In the Island of Manukura, a French colony in the South Seas, the joyful Terangi is a leader among the natives and the first mate of the Katopua, the tall ship of Captain Nagle. Terangi gets married with Marama and sooner he sails to Tahiti. While in a bar playing with other natives, Terangi is offended by an alcoholic racist French and he hits his face, breaking his jaw. Despite the testimony of Captain Nagle, Terangi is sentenced to six months of forced labor since the victim had political connections with the Powers That Be. Captain Nagle asks the Governor Eugene DeLaage to uses his influence to help Terangi, but the governor refuses. Terangi unsuccessfully tries to escape from the prison, and each attempt increases his sentence. Eight years later, he finally escapes and his jailbreak is celebrated in Manukura. Father Paul finds his canoe and brings Terangi to the island. But a devastating hurricane also arrives in the island threatening the dwellers. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
John Ford insisted that no actor could possibly recreate the pain of a real flogging. Jon Hall agreed to undergo the real thing, finding himself horsewhipped until his back bled. Unfortunately his quest for verisimilitude went unnoticed as the censors found the sequence to be far too realistic and insisted that it be cut from the final film. See more »
When Terangi (Jon Hall) returns to Manukura after a 600-mile voyage across open ocean from Tahiti, he looks the same as when he left except for some mild facial hair on his upper lip and his chin. After a voyage that long with no way to shave, he would have had a full beard. See more »
[from the tree, Terangi sees two colums collapse on the west wall of the church]
The church! It's going!
[after fighting the pounding seas to get inside the church]
Father Paul, come! The sea is breaking in, the walls are going, Look!
[points to the altar, where the wind starts tearing up the corrugated iron roof]
Take those who want to go. I am staying here!
You will drown, Father Paul! You saved me. Take my arm and let me save you!
No, my son, Take Madame.
Madame Germaine De Laage:
No! I'll stay with you Father Paul
[...] See more »
For a film that's billed as a romance movie, this has got a surprising amount of good suspense and action. It's really an adventure story with a romance angle. It's also very interesting and a good film with decent special effects, at least for when this was made.
It's almost a "Count Of Monte Cristo" story with an innocent man imprisoned on an island and finally succeeding in escaping. However, in this story, the escapee "Terangi" (John Hall) also has to battle a hurricane after escaping!
The film starts slowly in the first half hour, but stick with it, it's worth it. The story becomes very involving as "Terangi" begins his battle against "the law," which is not pictured very flattering here. In that respect, the film is ahead of its time with its anti-government message. However, it's behind the times with the typical classic-era white man trying to pass himself off as a dark-skinned island native. Dorothy Lamour is likewise as "Marama," Terangi's wife.
The cinematography is very good and the direction excellent. Then again, one of the best directors of all time did this film: John Ford. It also has a nice cast. Look at the supporting actors: Mary Astor, Raymond Massey, C. Aubrey Smith, Thomas Mitchell and John Carradine!
A solid Golden Age adventure story and one of the best of the 1930s decade.
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