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The House of Secrets (1936)

Passed  -  Mystery  -  28 October 1936 (USA)
5.2
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Ratings: 5.2/10 from 144 users  
Reviews: 11 user | 4 critic

Two men stumble into an old mansion, and get involved with a crazed scientist, torture chambers and sinister medical experiments.

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(from the play and novel by), (screenplay)
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Cast

Cast overview:
Leslie Fenton ...
Muriel Evans ...
Julie Kenmore
Noel Madison ...
Dan Wharton
...
Tom Starr
Morgan Wallace ...
Dr. Kenmore
Holmes Herbert ...
Sir Bertram Evans - Home Secretary
Ian Maclaren ...
Commissioner Cross
Jameson Thomas ...
Coventry
Syd Saylor ...
Ed
Matty Fain ...
Jumpy
...
Hector Munson
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Storyline

Globe-trotter Barry Wilding (Leslie Fenton) intercedes when a man annoys Julie Kenmore (Muriel Evans) on a ship crossing the English Channel, but she refuses to tell him her name or address. Barry determines to find her in London, but he is summoned to a lawyer's office and informed that he has inherited "The Hawk's Nest", a large estate outside London. He has to sign a declaration that he will never sell the property. He arrives there and is roughly put off his own property be trespassers who have taken up residence. Despite offers to buy the estate and warnings to get out of England, Barry refuses to do either. Julie appears and tells Barry she is living at "The Hawk's Nest" and he must allow her and her father, Dr. Kenmore (Morgan Wallace), to continue to live there for at least six months, and he can not visit her there. But Barry continues to try to solve the mystery that surrounds his inheritance even after being attacked by three American gangsters. Barry tries to enlist the ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Mysteries and thrills from cellar to garret...from start to finish it's the fastest, most furious, most gripping chiller you've ever seen! (original poster) See more »

Genres:

Mystery

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

28 October 1936 (USA)  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| (RCA Victor High Fidelity System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Sir Bertram Evans - Home Secretary: I think, sir, you have said entirely too much.
Tom Starr: You're right. From now on I intend doing something.
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Connections

Remake of The House of Secrets (1929) See more »

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User Reviews

In the dark with Leslie Fenton
7 August 2011 | by (Minnesota) – See all my reviews

The House of Secrets starts with an intriguing shipboard encounter: Leslie Fenton (as Barry) assists Muriel Evans (Julie) escape the unwanted attentions of a stranger. She thanks him nicely—but when he attempts to take a look in her handbag for whatever it was the stranger was after, she—get this—throws the whole bag overboard rather than let him see its contents! Hmm, mysterious.

Not surprisingly, they soon meet again (in a major but not shocking coincidence, she happens to be living at the large estate he has just inherited), and she becomes one of numerous characters determinedly resisting Barry's attempts not only to enter his own property, but to find out what the heck is going on. These characters include practically everyone else in the story—his detective friend, Julie's scientist father, some police and government officials, and a gang of crooks after a hidden treasure.

The plot is fast-moving and fairly intricate, and the dialog is mostly sharp. However, as the story progresses, frustration builds—not only for Barry but for us viewers, who also have no idea why everyone is trying so hard to keep him in the dark. By late in the film, my own sympathies had shifted almost entirely over to the gang of crooks, because at least they were straightforward about what they wanted, which is something you can't say about any of the other characters.

The movie also features an ancient document written in "old English," which means it has some words like "ye" and "olde" in it, that is fun for the gangsters to try and sound out. And an inn landlady offers some entertaining colloquial dialog, like her criticism of her husband's aches and pains: "He calls it rheumatism, but I calls it arthritis. I likes to keep up to date." Nothing is particularly authentic, but hey, I point that out in fun, not as a real quibble with the film. Overall, the dialog is one of this film's quite interesting qualities.

Overall: well done—but maddening.


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