One of three films made by Columbia circa 1936-37 based on behind-the-scenes film making with a "western" setting ("The Cowboy Star", "Hollywood Round-up" and "It Happened in Hollywood"), ... See full summary »
Hodiak, Brian, Derek and Teal have just been released from prison. They return to Tomahawk Gap, now a ghost town, to retrieve the money that they stole and was buried by a partner somewhere... See full summary »
The fanatical son of a Nazi General leads a squad of German commandos, disguised as American Troops, behind the lines in order to sabotage the Allied Forces. Stars Van Johnson, Kerwin Matthews, Dick York and Larry Storch.
"Into California's 1880 frontier country rides Robert Louis Stevenson (Edgar Barrier), the novelist, looking for story material 'in a land of stage-drivers and highwaymen', and soon finds ... See full summary »
Delia Jordan's father is murdered and some very valuable jewelry stolen. She hires Michael Lanyard (aka The Lone Wolf), a retired-and-reformed jewel thief to find the killer and the jewels.... See full summary »
Streetor is pulling off a land swindle and wants Thompson on his side. He does him a favor and then makes him Sheriff. But as Streetor evicts the ranchers, Thompson and Judge Cooper look for a legal device to stop him.
In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
One of three films made by Columbia circa 1936-37 based on behind-the-scenes film making with a "western" setting ("The Cowboy Star", "Hollywood Round-up" and "It Happened in Hollywood"), plus RKO weighed in the same year with George O'Brien's "Hollywood Cowboy." It had been done before, RKO's 1933 "Scarlet River", and would be done again, "Shooting High" from 20th Century-Fox and Republic's "Bells of Rosarita", among others with a western setting, but this Coronet production with Buck Jones may well be the best of the lot as it devotes more footage to actual film-making both on studio sets and locations. One out-of-the norm plot incident has the studio head Lew Wallace offering a job to a fading star Carol Stevens, with a semi-apology for casting her in what he calls an "outdoor special" and she calls a "horse opry", and this scene in a B-western leaves no doubt that the B-western and it people were near the bottom of Hollywood's pecking order. The stereotypes are there, with Shemp ... Written by
Les Adams <firstname.lastname@example.org>
There is a rather strange scene early on in this picture.the character played by Helen Twelvetrees goes to see the studio boss initially to complain that she has not made a picture for the studio in over a year.In reality Twelvetrees only made this film in 1937.The boss then admits that she had had 4 box office failures in a row and therefore he wanted her to go into this western.In reality Twelvetrees was virtually at the end of her film career with only a couple more films to go.Bearing in mind of course that between 1929 and 1936 she had appeared in around 30 films.So one can only assume that someone at Columbia had a malicious sense of humour or was paying off for past insults.Based on her performance in this film it is difficult to understand why her star slipped so quickly.She would probably be completely unknown now if it weren't for her unusual surname.This is an entertaining film with the bonus of a behind the scenes look at how B Westerns were made in the 30s.Well worth a look.
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