Ulmer's soulful, open-air adaptation of Peretz Hirshbein's classic play heralded the Golden Age of Yiddish cinema. When an ascetic young scholar ventures into the countryside, searching for... See full summary »
Paul, a young man whose father was once lieutenant Governor of California before his untimely death, has a strange, recurring dream in which his mother falls in love with a dangerous man (... See full summary »
Ulmer's soulful, open-air adaptation of Peretz Hirshbein's classic play heralded the Golden Age of Yiddish cinema. When an ascetic young scholar ventures into the countryside, searching for the city of "true Jews," he learns some unexpected lessons from the Jewish peasants who take him in as a tutor for their children. Written by
National Center for Jewish Film
The play opened off-Broadway in New York City, New York, USA in 1918. Jacob Ben-Ami was a member of the 1919 New York stage production and was made co-director at the insistence of writer Peretz Hirschbein, who felt he could see that the film was faithful to the play. See more »
After reading comments on Green Fields by other users, I'm afraid a lot of people won't bother with it, and that would be a shame. It's been a few years since I saw it, but I recall it as being a lovely, gentle film, and one of Edgar Ulmer's best. It's probably not for the average viewer. It is slow moving. Also, describing it as a comedy might not help, since the humor is very low key. I don't recall laughing out loud. The play is old fashioned, but it has a lot of warmth and tenderness. And it's interesting to see Ulmer tackle something like this, since he's better known for intense, expressionistic films like Detour and The Black Cat. Here the shots aren't as obviously "designed". Instead the camera lingers on the sleepy beauty of the little village. The pace is leisurely, and I thought that was the right choice to capture the lives of these country dwellers. This film isn't for everybody, but Ulmer fans should check it out. While he directed a few other movies in Yiddish, I think this is by far the best of the ones I've seen. And I think it stands on its own as a first rate piece of film-making.
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