IMDb > La Grande Illusion (1937)
La grande illusion
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La Grande Illusion (1937) More at IMDbPro »La grande illusion (original title)

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Overview

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8.2/10   21,083 votes »
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Director:
Writers:
Charles Spaak (scenario and dialogue) &
Jean Renoir (scenario and dialogue)
Contact:
View company contact information for La Grande Illusion on IMDbPro.
Release Date:
12 September 1938 (USA) See more »
Genre:
Tagline:
A Great Drama of Human Emotions
Plot:
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. Another 4 wins & 1 nomination See more »
User Reviews:
Classic film on the death of ancient regimes See more (112 total) »

Cast

  (in credits order) (verified as complete)

Jean Gabin ... Le lieutenant Maréchal
Dita Parlo ... Elsa - Farm Woman
Pierre Fresnay ... Le captaine de Boeldieu

Erich von Stroheim ... Le captaine von Rauffenstein (as Eric von Stroheim)
Julien Carette ... Cartier - l'acteur (as Carette)
Georges Péclet ... Le serrurier (as Peclet)
Werner Florian ... Le sergent Arthur
Jean Dasté ... L'instituteur (as Daste)
Sylvain Itkine ... Le lieutenant Demolder (as Itkine)
Gaston Modot ... L'ingénieur (as Modot)

Marcel Dalio ... Le lieutenant Rosenthal (as Dalio)
rest of cast listed alphabetically:

Jacques Becker ... L'officier anglais (uncredited)
Habib Benglia ... Le sénégalais (uncredited)
Pierre Blondy ... Un soldat (uncredited)
Albert Brouett ... Un prisonnier (uncredited)
George Forster ... Maison-Neuve (uncredited)
Karl Heil ... Un officier de la forteresse (uncredited)
Carl Koch ... L'ordonnance de von Rauffenstein (uncredited)
Little Peters ... La petite fille d'Elsa (uncredited)
Claude Sainval ... Le capitaine Ringis (uncredited)
Michel Salina ... (uncredited)
Claude Vernier ... L'officer prussien (uncredited)
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Directed by
Jean Renoir 
 
Writing credits
Charles Spaak (scenario and dialogue) &
Jean Renoir (scenario and dialogue)

Produced by
Albert Pinkovitch .... producer (uncredited)
Frank Rollmer .... producer (uncredited)
 
Original Music by
Joseph Kosma (music)
 
Cinematography by
Christian Matras (photography)
 
Film Editing by
Marthe Huguet (film editor) (as Huguet)
Renée Lichtig (1958 version)
Marguerite Renoir (film editor) (as Margueritte)
 
Production Design by
Eugène Lourié  (as Lourié)
 
Set Decoration by
Eugène Lourié  (as Lourié)
 
Costume Design by
René Decrais (costumes) (as Decrais)
 
Makeup Department
Raffels .... make-up
 
Production Management
Raymond Blondy .... production manager
 
Second Unit Director or Assistant Director
Jacques Becker .... assistant director
Robert Rips .... assistant director (uncredited)
 
Art Department
Alexandre Laurié .... props (as Lourié)
Raymond Pillon .... props (as Pillon)
 
Sound Department
Joseph de Bretagne .... sound engineer (as De Bretagne)
 
Camera and Electrical Department
Jean Bourgoin .... assistant cameraman (as Bourgoin)
Ernest Bourreaud .... assistant cameraman (as Bourreaud)
Claude Renoir .... assistant cameraman
Sam Levin .... set photographer (uncredited)
 
Costume and Wardrobe Department
Suzy Berton .... wardrobe (uncredited)
 
Music Department
Emile Vuillermoz .... musical director (uncredited)
 
Other crew
Barnathan .... location manager
Pierre Blondy .... general manager
Françoise Giroud .... script girl (as Gourdji)
Carl Koch .... technical consultant
Robert Rips .... set manager
Herman G. Weinberg .... subtitler: English (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
"La grande illusion" - France (original title)
"Grand Illusion" - Australia (video box title), USA
See more »
Runtime:
114 min | 94 min (1937 release) | Germany:107 min
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Argentina:13 | Australia:G | Finland:K-8 (1959) | Finland:(Banned) (1942) | Finland:K-16 (1937) | Germany:12 (f) (1948) | Germany:(Banned) (1937-1945) | Italy:T (re-rating) (1947) | Italy:(Banned) (original rating) (1938-1947) | Malaysia:U | Netherlands:14 (re-rating) (1958) | Netherlands:14 (re-rating) (1947) | Netherlands:14 (original rating) (1937) | Norway:12 (1959) | Norway:16 (1937) | Portugal:M/6 | South Korea:12 | Sweden:15 | UK:A (original rating) (cut) | UK:U (video rating) | USA:Unrated

Did You Know?

Trivia:
The uniform worn by Jean Gabin was actually owned and worn by Jean Renoir, who served in the air force during WWI.See more »
Goofs:
Anachronisms: As the WWI German soldiers are celebrating a French fort's capture, the map on the wall of the officers club is clearly an inter-war (1919-1938) map of Germany.See more »
Quotes:
Lieutenant Maréchal:The theater's too deep for me. I prefer bicycling.See more »
Movie Connections:
Referenced in Annie Hall (1977)See more »
Soundtrack:
It's a Long, Long Way to TipperarySee more »

FAQ

This FAQ is empty. Add the first question.
50 out of 62 people found the following review useful.
Classic film on the death of ancient regimes, 21 March 2000
Author: Eric Stewart (epstewart@home.com) from Catonsville, MD

In the old European order, pre-WWI, one nation's aristocracy made war on another's not out of love for king and country or hatred for the enemy, but out of a sense of honor and duty. War was what they did, these aristocrats of l'ancien regime. Their castles in the air, their noble worldview, their time-honored way--all would crumble, as they very well knew, if the line between the rabble and themselves were allowed to continue to blur. The masses had new and different loyalties.

"La Grande Illusion" in 1914 was the hope that that old order could be preserved in the face of surging democracy and noveau-riche power. Jean Renoir's film presents us with an irony: the martial elites of France and Germany needed the war to vouchsafe their very identities, and yet that conflict would prove their undoing. Whatever side won, the hoi polloi would gain the upper hand.

Restored from its original camera negative, the 1937 French film now on DVD sparkles like new. The restoration lets us see that nothing is dated about this work of genius, even if its POW-camp situations today seem stock and its characters stereotypes of nationality and class. The fine acting, the deft pacing, and the fluid camerawork make for a film that could have been produced last year. The whispered subtext, the nuanced conflicts, and the ironic complexity make for a film that is timeless.

The subtext is the eternal tension between "in the air" and "on the ground," "on high" and "here below," "from a distance" and "up close and personal." From a distance, war is no more rancorous than a chess game, with national boundaries as artificial as the squares on a chessboard. Up close and personal, war separates humans from their lives and aspirations, lovers from their beloveds.

The old elites loved nothing but their class and its accoutrements. It was peasant stock and noveau riche who belted out national anthems and honored the borders which in wartime could sever lover from lover but, paradoxically, also shield prison-camp escapees who made it across them to sanctuary. Renoir's genius was that he could show that an emergent new order, manifestly better on the ground, comes at a steep price, tragically, in the air.

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Message Boards

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Jean Renoir as WWI veteran letstalkfilm
Jean Renoir as WWI veteran letstalkfilm
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What would you say is the 'grand illusion'? conifranoh
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Illusion vs. Citizen Kane kapps73
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