IMDb > La Grande Illusion (1937)
La grande illusion
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La Grande Illusion (1937) More at IMDbPro »La grande illusion (original title)

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Overview

User Rating:
8.2/10   21,079 votes »
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Up 57% in popularity this week. See why on IMDbPro.
Director:
Writers:
Charles Spaak (scenario and dialogue) &
Jean Renoir (scenario and dialogue)
Contact:
View company contact information for La Grande Illusion on IMDbPro.
Release Date:
12 September 1938 (USA) See more »
Genre:
Tagline:
A Great Drama of Human Emotions
Plot:
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. Another 4 wins & 1 nomination See more »
User Reviews:
How language separates us See more (112 total) »

Cast

  (in credits order) (verified as complete)

Jean Gabin ... Le lieutenant Maréchal
Dita Parlo ... Elsa - Farm Woman
Pierre Fresnay ... Le captaine de Boeldieu

Erich von Stroheim ... Le captaine von Rauffenstein (as Eric von Stroheim)
Julien Carette ... Cartier - l'acteur (as Carette)
Georges Péclet ... Le serrurier (as Peclet)
Werner Florian ... Le sergent Arthur
Jean Dasté ... L'instituteur (as Daste)
Sylvain Itkine ... Le lieutenant Demolder (as Itkine)
Gaston Modot ... L'ingénieur (as Modot)

Marcel Dalio ... Le lieutenant Rosenthal (as Dalio)
rest of cast listed alphabetically:

Jacques Becker ... L'officier anglais (uncredited)
Habib Benglia ... Le sénégalais (uncredited)
Pierre Blondy ... Un soldat (uncredited)
Albert Brouett ... Un prisonnier (uncredited)
George Forster ... Maison-Neuve (uncredited)
Karl Heil ... Un officier de la forteresse (uncredited)
Carl Koch ... L'ordonnance de von Rauffenstein (uncredited)
Little Peters ... La petite fille d'Elsa (uncredited)
Claude Sainval ... Le capitaine Ringis (uncredited)
Michel Salina ... (uncredited)
Claude Vernier ... L'officer prussien (uncredited)
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Directed by
Jean Renoir 
 
Writing credits
Charles Spaak (scenario and dialogue) &
Jean Renoir (scenario and dialogue)

Produced by
Albert Pinkovitch .... producer (uncredited)
Frank Rollmer .... producer (uncredited)
 
Original Music by
Joseph Kosma (music)
 
Cinematography by
Christian Matras (photography)
 
Film Editing by
Marthe Huguet (film editor) (as Huguet)
Renée Lichtig (1958 version)
Marguerite Renoir (film editor) (as Margueritte)
 
Production Design by
Eugène Lourié  (as Lourié)
 
Set Decoration by
Eugène Lourié  (as Lourié)
 
Costume Design by
René Decrais (costumes) (as Decrais)
 
Makeup Department
Raffels .... make-up
 
Production Management
Raymond Blondy .... production manager
 
Second Unit Director or Assistant Director
Jacques Becker .... assistant director
Robert Rips .... assistant director (uncredited)
 
Art Department
Alexandre Laurié .... props (as Lourié)
Raymond Pillon .... props (as Pillon)
 
Sound Department
Joseph de Bretagne .... sound engineer (as De Bretagne)
 
Camera and Electrical Department
Jean Bourgoin .... assistant cameraman (as Bourgoin)
Ernest Bourreaud .... assistant cameraman (as Bourreaud)
Claude Renoir .... assistant cameraman
Sam Levin .... set photographer (uncredited)
 
Costume and Wardrobe Department
Suzy Berton .... wardrobe (uncredited)
 
Music Department
Emile Vuillermoz .... musical director (uncredited)
 
Other crew
Barnathan .... location manager
Pierre Blondy .... general manager
Françoise Giroud .... script girl (as Gourdji)
Carl Koch .... technical consultant
Robert Rips .... set manager
Herman G. Weinberg .... subtitler: English (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
"La grande illusion" - France (original title)
"Grand Illusion" - Australia (video box title), USA
See more »
Runtime:
114 min | 94 min (1937 release) | Germany:107 min
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Argentina:13 | Australia:G | Finland:K-8 (1959) | Finland:(Banned) (1942) | Finland:K-16 (1937) | Germany:12 (f) (1948) | Germany:(Banned) (1937-1945) | Italy:T (re-rating) (1947) | Italy:(Banned) (original rating) (1938-1947) | Malaysia:U | Netherlands:14 (re-rating) (1958) | Netherlands:14 (re-rating) (1947) | Netherlands:14 (original rating) (1937) | Norway:12 (1959) | Norway:16 (1937) | Portugal:M/6 | South Korea:12 | Sweden:15 | UK:A (original rating) (cut) | UK:U (video rating) | USA:Unrated

Did You Know?

Trivia:
Jean Renoir's assistant director on this film, Jacques Becker, has a very brief role early in the film as a temperamental British officer who destroys his pocket watch rather than allow the Germans to confiscate it. Becker would himself later become a great director (e.g., Casque d'Or (1952)).See more »
Goofs:
Anachronisms: As the WWI German soldiers are celebrating a French fort's capture, the map on the wall of the officers club is clearly an inter-war (1919-1938) map of Germany.See more »
Quotes:
Capt. de Boeldieu:For me it's simple. A golf course is for golf. A tennis court is for tennis. A prison camp is for escaping.See more »
Movie Connections:
Soundtrack:
Il était un petit navireSee more »

FAQ

This FAQ is empty. Add the first question.
82 out of 94 people found the following review useful.
How language separates us, 27 August 1999
Author: Henry Willis from Los Angeles

What makes Grand Illusion a great movie, and the reason that some of us keep returning to it, is that it can't be reduced to a single simple proposition, the way that recent war movies like Platoon ("war bad," to quote Tarantino's synopsis) or Saving Private Ryan ("war senseless") can. It's easy to be sentimental about war, even while deploring it, by focusing on the horror of it or by making heroes out of those who are forced to fight. Renoir deals instead with the far more complex mesh of differences and alliances that separate and divide our characters. And while his main characters all have a clear class/national/religious identity, he makes much more out of them than just sociological categories.

But trying to explain why Grand Illusion is such a great movie by charting all the conflicting bonds of nationality, class, religion, etc. doesn't explain why the movie is so powerful. To me it is in those scenes in which language either separates our characters (as when Marechal tries and fails to tell the British prisoners about the tunnel or asks why de Boeldieu uses "vous") or unites them (as when von Rauffenstein and de Boeldieu speak in English or the English officer (in drag) sings the Marseillaise or when Marechal finally learns a little German). In these cases, Renoir uses language-without hitting us over the head to make the point-to illustrate the conflict between his ideal of sympathy between humans and the differences of class, nationality and religion.

Now I know that this sounds just as dry and academic as other attempts to explain Grand Illusion. Maybe it is; the movie really does not need to be explained to be enjoyed. But these are the scenes that, for whatever reason, have always made the greatest impression on me.

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Message Boards

Discuss this movie with other users on IMDb message board for La Grande Illusion (1937)
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Jean Renoir as WWI veteran letstalkfilm
Jean Renoir as WWI veteran letstalkfilm
the flutes sleepybone
What would you say is the 'grand illusion'? conifranoh
synopsis? lizdog
Illusion vs. Citizen Kane kapps73
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