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La Grande Illusion (1937)
"La grande illusion" (original title)

Unrated  |   |  Drama, War  |  12 September 1938 (USA)
8.2
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Ratings: 8.2/10 from 23,256 users  
Reviews: 120 user | 110 critic

During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.

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(scenario and dialogue), (scenario and dialogue)
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Title: La Grande Illusion (1937)

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Nominated for 1 Oscar. Another 5 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Dita Parlo ...
Pierre Fresnay ...
Le captaine de Boeldieu
...
Le captaine von Rauffenstein (as Eric von Stroheim)
Julien Carette ...
Cartier - l'acteur (as Carette)
Georges Péclet ...
Le serrurier (as Peclet)
Werner Florian ...
Le sergent Arthur
Jean Dasté ...
L'instituteur (as Daste)
Sylvain Itkine ...
Le lieutenant Demolder (as Itkine)
Gaston Modot ...
L'ingénieur (as Modot)
...
Le lieutenant Rosenthal (as Dalio)
Edit

Storyline

During 1st WW, two French officers are captured. Captain De Boeldieu is an aristocrat while Lieutenant Marechal was a mechanic in civilian life. They meet other prisoners from various backgrounds, as Rosenthal, son of wealthy Jewish bankers. They are separated from Rosenthal before managing to escape. A few months later, they meet again in a fortress commanded by the aristocrat Van Rauffenstein. De Boeldieu strikes up a friendship with him but Marechal and Rosenthal still want to escape... Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

A Film of Great Power and Compassion! See more »

Genres:

Drama | War

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

| | |

Release Date:

12 September 1938 (USA)  »

Also Known As:

Grand Illusion  »

Box Office

Opening Weekend:

$50,793 (USA) (13 August 1999)

Gross:

$172,885 (USA) (30 November 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1937 release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Viennese-born Erich von Stroheim had spent so many years in America that he spoke hardly any German by the time he made the film. See more »

Goofs

When Lt. Maréchal is climbing down the rope from the watchtower the wooden window shutters can be seen closing above him even though he closed them himself minutes prior. See more »

Quotes

Capt. von Rauffenstein: May the earth lie lightly upon our valiant enemy.
See more »

Connections

Featured in Outrun (2010) See more »

Soundtracks

Il était un petit navire
(uncredited)
Traditional French children's song
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User Reviews

 
How language separates us
27 August 1999 | by (Los Angeles) – See all my reviews

What makes Grand Illusion a great movie, and the reason that some of us keep returning to it, is that it can't be reduced to a single simple proposition, the way that recent war movies like Platoon ("war bad," to quote Tarantino's synopsis) or Saving Private Ryan ("war senseless") can. It's easy to be sentimental about war, even while deploring it, by focusing on the horror of it or by making heroes out of those who are forced to fight. Renoir deals instead with the far more complex mesh of differences and alliances that separate and divide our characters. And while his main characters all have a clear class/national/religious identity, he makes much more out of them than just sociological categories.

But trying to explain why Grand Illusion is such a great movie by charting all the conflicting bonds of nationality, class, religion, etc. doesn't explain why the movie is so powerful. To me it is in those scenes in which language either separates our characters (as when Marechal tries and fails to tell the British prisoners about the tunnel or asks why de Boeldieu uses "vous") or unites them (as when von Rauffenstein and de Boeldieu speak in English or the English officer (in drag) sings the Marseillaise or when Marechal finally learns a little German). In these cases, Renoir uses language-without hitting us over the head to make the point-to illustrate the conflict between his ideal of sympathy between humans and the differences of class, nationality and religion.

Now I know that this sounds just as dry and academic as other attempts to explain Grand Illusion. Maybe it is; the movie really does not need to be explained to be enjoyed. But these are the scenes that, for whatever reason, have always made the greatest impression on me.


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