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La Grande Illusion (1937)
"La grande illusion" (original title)

 -  Drama | War  -  12 September 1938 (USA)
8.2
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Ratings: 8.2/10 from 21,088 users  
Reviews: 112 user | 112 critic

During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.

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(scenario and dialogue), (scenario and dialogue)
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Title: La Grande Illusion (1937)

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Nominated for 1 Oscar. Another 4 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Dita Parlo ...
Elsa - Farm Woman
Pierre Fresnay ...
Le captaine de Boeldieu
...
Le captaine von Rauffenstein (as Eric von Stroheim)
Julien Carette ...
Cartier - l'acteur (as Carette)
Georges Péclet ...
Le serrurier (as Peclet)
Werner Florian ...
Le sergent Arthur
Jean Dasté ...
L'instituteur (as Daste)
Sylvain Itkine ...
Le lieutenant Demolder (as Itkine)
Gaston Modot ...
L'ingénieur (as Modot)
...
Le lieutenant Rosenthal (as Dalio)
Edit

Storyline

During 1st WW, two French officers are captured. Captain De Boeldieu is an aristocrat while Lieutenant Marechal was a mechanic in civilian life. They meet other prisoners from various backgrounds, as Rosenthal, son of wealthy Jewish bankers. They are separated from Rosenthal before managing to escape. A few months later, they meet again in a fortress commanded by the aristocrat Van Rauffenstein. De Boeldieu strikes up a friendship with him but Marechal and Rosenthal still want to escape... Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

A Great Drama of Human Emotions

Genres:

Drama | War

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

12 September 1938 (USA)  »

Also Known As:

Grand Illusion  »

Box Office

Opening Weekend:

$50,793 (USA) (13 August 1999)

Gross:

$172,885 (USA) (30 November 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1937 release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Most of the scenes involving Erich von Stroheim were improvised on the day of filming. He and Jean Renoir would discuss in German what they would be doing, von Stroheim would write it out in English and then give it to assistant director Jacques Becker and script girl Francoise Giroud to translate into French for the screenplay. See more »

Goofs

When Lt. Maréchal is climbing down the rope from the watchtower the wooden window shutters can be seen closing above him even though he closed them himself minutes prior. See more »

Quotes

Capt. de Boeldieu: Is that supposed to be witty?
See more »

Connections

Referenced in Damsels in Distress (2011) See more »

Soundtracks

Si tu veux marguerite
(1913) (uncredited)
Composed by Albert Valsien
Lyrics by Vincent Telly
Performed by Julien Carette
See more »

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User Reviews

 
Class(ic)!
28 May 2006 | by (Derby, UK) – See all my reviews

Every time I watch this I find something else I hadn't thought of before, every viewing is an augmented experience. Things I hadn't spotted at 11, 19, 22 etc I spotted last night, mostly inconsequential but still adding to the picture 36 years after my first time. That to me is the difference between great films and Great films, one of the reasons why this ostensibly simple movie is one of the all time Greats.

And it is simple (the simplest things are usually the best) - boring to some people who sadly will never understand its logic and magic - an absorbing prisoner of war tale that is also a prisoner of class tale. It defines that class loyalties are more meaningful than patriotism even if not always practical, and that to those who consider themselves to have breeding it's far more important to have "blood" than capital. Boldieu and Rauffenstein embody this, they both knew their chivalric world order was being gradually diminished - the next war will and was led by people without breeding, types like Marechal and Rosenthal who fought on. The most significant borders are not between countries, races, religions, sexes or ages but those between the classes. Renoir was at his most inspired with Illusion, with so many memorable images and set-pieces, an engrossing storyline even when down to trying to say blue eyes in German or being posh by gossipping in English, and fantastic acting by all concerned. Everything has already been covered and better in previous posts, but I would add I don't understand why Regle du jeu is the Renoir film that gets the kudos today - unless by being deliberately more obscure it appeals to influential Artheads.

The French film I love the most.


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