La Grande Illusion (1937)
"La grande illusion" (original title)

Unrated  |   |  Drama, War  |  12 September 1938 (USA)
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Ratings: 8.2/10 from 24,612 users  
Reviews: 120 user | 117 critic

During the first World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.



(scenario and dialogue), (scenario and dialogue)
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Nominated for 1 Oscar. Another 5 wins & 1 nomination. See more awards »



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Complete credited cast:
Le captaine de Boeldieu
Le captaine von Rauffenstein (as Eric von Stroheim)
Cartier - l'acteur (as Carette)
Georges Péclet ...
Le serrurier (as Peclet)
Werner Florian ...
Le sergent Arthur
Jean Dasté ...
L'instituteur (as Daste)
Sylvain Itkine ...
Le lieutenant Demolder (as Itkine)
Gaston Modot ...
L'ingénieur (as Modot)
Le lieutenant Rosenthal (as Dalio)


During 1st WW, two French officers are captured. Captain De Boeldieu is an aristocrat while Lieutenant Marechal was a mechanic in civilian life. They meet other prisoners from various backgrounds, as Rosenthal, son of wealthy Jewish bankers. They are separated from Rosenthal before managing to escape. A few months later, they meet again in a fortress commanded by the aristocrat Van Rauffenstein. De Boeldieu strikes up a friendship with him but Marechal and Rosenthal still want to escape... Written by Yepok

Plot Summary | Plot Synopsis


A Great Drama of Human Emotions See more »


Drama | War


Unrated | See all certifications »

Parents Guide:





| | |

Release Date:

12 September 1938 (USA)  »

Also Known As:

Grand Illusion  »

Box Office

Opening Weekend:

$50,793 (USA) (13 August 1999)


$172,885 (USA) (30 November 2012)

Company Credits

Show detailed on  »

Technical Specs


| (1937 release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.33 : 1
See  »

Did You Know?


For the script, Jean Renoir and screenwriter Charles Spaak drew from Jean des Vallieres' book "Kavalier Scharnhost" without acknowledgment. This led to a plagiarist suit in court. See more »


As the WWI German soldiers are celebrating a French fort's capture, the map on the wall of the officers club is clearly an inter-war (1919-1938) map of Germany. See more »


Lieutenant Maréchal: So you're digging a hole like Monte Cristo. What a laugh.
See more »


Künstlerleben (Artist's Life), Op.316
(1867) (uncredited)
Composed by Johann Strauss
See more »

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User Reviews

A Humanist Classic
31 January 2002 | by (Berkeley, California) – See all my reviews

Grand Illusion is a movie about class that doesn't hate anyone. How often does that happen? Yes, there are namby-pamby movies that "show all sides" and bore everyone with their non-existent point-of-view, but that's not what I mean. And, of course, there are plenty of movies about class that reveal their biases from the start; I'm rather fond of Eat the Rich movies, myself. But Grand Illusion is about class without dismissing any of its characters. The aristocrats whose world is disappearing are presented as tragic figures, stuck in a code of life that is rapidly becoming meaningless. Both aristocrats know their time is past; the French one accepts this as probably a good thing, the German one doesn't (and blames the French one's sentiments on the French Revolution), but they both know their way of life is soon to be forgotten. And it would be easy for Renoir, when he made the film in the mid-30s a French communist with proletarian sympathies, to demonize these two. But he doesn't; he allows them their humanity, which is the most characteristic feature of Renoir movies in any event (he is the great humanist of movie history).

Nor does he show the collapse of the old way as an unfortunate preface to chaos. The bourgeois characters are good people. The world might be safe in their hands, as safe as in any other hands at least (except for the propensity among nations for war). All of the middle and lower-class characters in the movie are presented as people, not stereotypes. But Renoir doesn't accomplish this by collapsing all class boundaries into some homogenous universalism. These characters remain trapped within their class, and their class is clear to the viewer. The movie is not about the absence of class but about the crushing ironies of the very real existence of class in the lives of the characters. To show all classes without condescension, while retaining a particular point of view (that while people are good, it's best that the aristocratic world is in decline), is pretty amazing.

In Grand Illusion, the nominal hero is working/middle-class, but the upper class isn't evil and the lower class isn't romanticized or dismissed. And it's all accomplished in such a seamless way that many, if not most, first-time viewers might easily think it was a fine movie but something less than great. It sneaks up on you, and more than just about any film you can name, rewards multiple viewings.

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