The story of a farmer in China: a story of humility and bravery. His father gives Wang Lung a freed slave as wife. By diligence and frugality the two manage to enlarge their property. But ... See full summary »
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William K. Howard
Johnny Mack Brown
The beautiful and frivolous wife of a plantation owner in antebellum Louisiana, proves unsatisfactory at running the household, leading her serious-minded husband to enlist the help of her unmarried sister.
The story of a farmer in China: a story of humility and bravery. His father gives Wang Lung a freed slave as wife. By diligence and frugality the two manage to enlarge their property. But then a famine forces them to leave their land and live in the town. However it turns out to be a blessing in disguise for them... Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Chinese-born Anna May Wong desperately wanted the role of O-Lan. Being a close friend of author Pearl S. Buck helped. She tested for the role, but producer Irving Thalberg was unsatisfied. Also, since Paul Muni, a Caucasian actor, had already been cast in the lead, Thalberg knew he couldn't cast Wong as Muni's wife. The Hays Code prohibited actors of different races from playing husband/wife couples on film. (This was to avoid offending white audiences in the segregated American South, where there were laws against mixed-race marriages.) Thalberg offered her the "vamp" role of Lotus, but a distraught Anna May turned it down. See more »
Unexplained sequence of events or possible error in continuity. Toward the beginning of the film, Farmer Wang walks to the Great House to meet his bride, O-Lan. He is carrying a basket. It appears to be empty. As he enters a market, the farmer declines to buy peaches. We don't see him purchase goods or trade for anything. We don't see him filling the basket. However, the next scene shows him at the door of the house with a full basket. Later, he does buy peaches. At this point, however, we're still not made aware how he has money or silver. See more »
Liu - Grain Merchant:
Mr. Wang, two clever sons like these are the better half of your wealth.
They're stupid, worthless creatures. If anything was driven into their thick, brass skulls it was by beating them. I told their teacher to beat them. He beat them so well that this one's going to the university.
Liu - Grain Merchant:
If I'm not too unworthy, I hope to win a degree in agriculture.
Liu - Grain Merchant:
Degree ? Agriculture ?
That's some kind of paper that will make it rain just enough, but not too much.
See more »
Introduction played with opening credits: The soul of great nation is expressed in the life of its humblest people. In this simple story of a Chinese farmer may be found something of a the soul of china - its humility, its courage, its deep heritage from the past and its vast promise for the future. See more »
Classic story given distinguished screen treatment and cast to perfection
Pearl Buck's story of the ups and downs of a Chinese peasant family is adapted for the screen in a stately and dignified manner. Extreme respect is paid to the characters, who are given ample screen time to mature and develop. The roles are filled by actors who are able to get inside their characters without ever giving the impression that they are `performing,' and their performances are all the richer for it.
The story begins on the wedding day of Wang Lung (Paul Muni), a kind and gentle farmer. His wife, O-Lan (Luise Rainer), bears his sons and quietly encourages him to pursue his dreams, no matter what sacrifices they entail from her. The family lives through a famine and finally achieves prosperity and success. However, with success comes greed and corruption, and soon Wang is buying large plots of land and the Great Hall at which O-Lan was a servant. Eventually, he takes a second wife and breaks ties with all who were once close to him. It takes a tragedy for him to see the error of his ways.
All the while O-Lan stands behind him, supporting every decision he makes in her own tranquil way. Rainer's Oscar winning portrayal, like O-Lan herself, is the glue that holds the story together. Muni, often prone to hamminess in his work, shows restraint here and contributes a beautiful, multifaceted performance. The cinematography, which also received an Oscar, is excellent, as are the special effects. A sequence which involves locusts, invading the crops by the million, is nothing short of unforgettable. It is storytelling in the grandest sense of the word, with strong characterizations, high production values, and an engrossing story which more than justifies `The Good Earth's status as a classic.
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