J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it out the window, it lands on poor ...
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Just before Christmas, Lee Leander is caught shoplifting. It is her third offense. She is prosecuted by John Sargent. He postpones the trial because it is hard to get a conviction at ... See full summary »
An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, ... See full summary »
J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it out the window, it lands on poor hard-working girl Mary Smith. But it isn't so easy to just give away something so valuable, as he soon learns. Written by
Ken Yousten <firstname.lastname@example.org>
It was reported (on American Movie Classics rotation of classic movies, back when they showed uninterrupted classic films) that all of the furs and jewelry used in this film were real and that guards were posted during shooting to ensure that none of the valuables disappeared. See more »
During automat free-for-fall, one of the customers drops a tray full of dishes which are clearly attached to the tray and don't even move when tray hits the floor. See more »
One of the best film moments of the 1930s occurs just after the beginning of the film when wealthy J. B. Ball, exasperated by his spoiled family's spending habits, tosses the wife's new sable coat from a window high in their 5th Avenue mansion. As if with a mind set on its own destiny, the falling coat spreads out on the air and lands like an enchanted parachute on the head of the Mary Smith, the working girl who will be our main character (Jean Arthur), and who is riding on the upper deck of a double-decker bus. What is a double-decker doing in New York City? No one asks; the coat just does its magic and the enchanted plot is underway. Best of all, screenwriter Sturges balances the magic and sentimentality with his usual crisp, witty, no-nonsense approach to dialogue and character. This "yin / yang" harmony is similar to what he achieved in directing "Sullivan's Travels."
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