During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it off the roof, it lands on poor hard-working girl Mary Smith. But it isn't so easy to just give away something so valuable, as he soon learns. Written by
Ken Yousten <email@example.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Phoenix Friday 20 February 1959 on KVAR (Channel 12), followed by Omaha 23 June 1959 on KETV (Channel 7), by Pittsburgh 29 August 1959 on KDKA (Channel 2), by Asheville 20 September 1959 on WLOS (Channel 13), by Grand Rapids 28 December 1959 on WOOD (Channel 8), by Johnstown 13 January 1960 on WJAC (Channel 6), by Milwaukee 19 January 1960 on WITI (Channel 6), by Huntington 31 January 1960 on WHTN (Channel 13), and by Toledo 17 June 1960 on WTOL (Channel 11). It was released on DVD 22 April 2008 as part of the Universal Cinema Classics series and since that time has also enjoyed occasional airings on cable TV on Turner Classic Movies. See more »
During automat free-for-fall, one of the customers drops a tray full of dishes which are clearly attached to the tray and don't even move when tray hits the floor. See more »
Although EASY LIVING makes no claim to realism it does somehow capture the flavor of New York in the thirties.
Directed by Mitchell Leisen from a screenplay by Preston Sturges it has all the hallmarks of Leisen's style, the gleaming, high style sets, the magnificent cathedral ceilinged apartments and also, unfortunately the tendency to allow scenes to run on just a little too long. The slapstick scene in the automat is a prime example, just a few pratfalls too many. If Sturges directed as well as written the film might not have been as sumptuous looking bit I think it would have been tighter.
Minor details however, the film is a delight, especially Jean Arthur and a very capable supporting cast giving it their professional all.
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