Donald is courting Daisy (called Donna, here in her first appearance) Duck in Mexico. He arrives on a burro, which doesn't get along at all well with her; she convinces him to buy a car. ... See full summary »
Donald owns a farm; he sings Old MacDonald while feeding the animals. He goes to milk Clementine the cow, but she's not in the barn: she's up a tree, nibbling on leaves. She floats down, ... See full summary »
Donald Duck builds an automated dog washer while an unsuspecting Pluto naps nearby. When Donald finishes and announces his plan to use Pluto as his test subject, a battle of wills ensues, ... See full summary »
Inspired by a store display, Donald decides to "hunt" some wildlife with his camera. First, he encounters a too-friendly chipmunk, then a large group of shy animals, then some animals in a ... See full summary »
Donald reads in his newspaper that eggs are really going up in value and the price is skyrocketing. Donald realizes that if he had some eggs, he would be quite the wealthy duck so he breaks... See full summary »
Donald visits a penny arcade. He watches Daisy dance the Dance of the Seven Veils, but the light goes out for veil 5 and he misses the end. Then he tries a prize crane, to increasing ... See full summary »
Mickey is heading out on vacation from Burbank to Pomona, taking the train. The conductor, Pete, won't let him on with Pluto, so he hides Pluto in his suitcase, and tries to hide him all ... See full summary »
Schoolboy Donald is torn between his angel and devil sides, though in Donald's case, the devil side isn't hard to resist. But the smoking he's encouraged to do turns him green and gives him... See full summary »
A nightclub, staffed and frequented entirely by insects. Lighting provided by fireflies, card games dealt by centipedes. The stage show has a good girl beetle resisting the advances of a ... See full summary »
Mickey hosts an amateur hour radio show. Among the acts: Donald forgetting the words to "Twinkle Twinkle Little Star"; Clara Cluck singing and chasing the microphone; and Goofy with an ... See full summary »
Donald is courting Daisy (called Donna, here in her first appearance) Duck in Mexico. He arrives on a burro, which doesn't get along at all well with her; she convinces him to buy a car. They head through the desert, but the car breaks down, and throws Donald out, then takes off on its own with Daisy trapped inside the rumble seat. The car hits a rock, throwing Daisy into a mud puddle, to Donald's excessive amusement. Daisy pulls a unicycle from her purse, and rides off. Written by
Jon Reeves <firstname.lastname@example.org>
This is the first 1937 Donald Duck cartoon "Don Donald" to have Donald Duck getting mad at Jenny the donkey calling it a jackass. The second time he would call Jenny the donkey a jackass is in the 1942 Donald Duck cartoon "The Village Smithy". It would remain uncensored even during the 1983-2001 Disney Channel classic cartoon era. On the VHS tape "Starring Donald and Daisy." and on the "Walt Disney Treasures DVD The Chronological Donald Volume 1." See more »
In Old Mexico, DON DONALD learns what it takes to impress a temperamental señorita.
Daisy Duck made her movie debut in this very enjoyable little film, which features good animation and funny performances from both Ducks. Strangely, it would be another three years before Daisy returned for her second appearance, in MR DUCK STEPS OUT (1940). At this point in her career, Daisy received her unique vocalization from the same source as Donald - talented voice artist Clarence Nash.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
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