The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man's mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people. Written by
Rod Crawford <firstname.lastname@example.org>
According to the program for the film's premiere, Samuel Goldwyn dedicated the production "to the children of today, that they May be better citizens of tomorrow." See more »
[the police are looking for Tommy after he has a fight with Philip Griswald and then injures Philip's father]
Don't worry, Drina. He knows his way around - he can take care of himself.
He can take care of himself too well. How can he have done such a thing? Where does he learn about knives and...
He had an expert teacher.
[refers to Martin]
Anyway it's not hard to learn in a place like this.
But he's not a bad kid - not really bad. He never has been.
The famous 'Baby Face' Martin used to live on ...
[...] See more »
This movie is not only a great story, it is a great social commentary on the divisions between rich and poor. The main story concerns the return of a gangster to his old neighborhood, but a couple of side stories concern the gang of kids who seemingly idolize the hood and the rich people who live in a luxury apartment that is next to the slum. This film could be made today because the conditions that are in the film still exist today only they are a hundred times worse because the gap between the rich and the poor in this country have widened even more. This film should be shown more on television
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