After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man's mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people. Written by
Rod Crawford <firstname.lastname@example.org>
Samuel Goldwyn acquired the rights to Sidney Kingsley's play for $165,000 - an exorbitant amount of money at the time. The play had been a huge success on Broadway (which is why it commanded such a big fee) and Goldwyn purchased it with the intention of filming it largely uncut, knowing that he would have many run-ins with the Hays Office over the content. See more »
Maybe I'm wrong. We all make mistakes, boss. That's why they put the rubber on the ends of pencils.
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Considering all the talent involved, it was hardly surprising to find this a first rate movie. Didn't you want to slap Bogart around ... well, that is actually what compelled me to make this entry. Among the handful of superlative cameo (say 2 to 8 minutes in length)performances I have seen in my 40 plus years of movie-going, Dead End features one of them.
Marjorie Main, almost as unlikely a film character (think Ma Kettle!) as one could imagine, turned in what I consider a masterpiece. Read that she repeated her stage role, and wow, that slap, that dialog and that role. Bravo!
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