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A Damsel in Distress (1937)

Approved | | Comedy, Musical, Romance | 19 November 1937 (USA)
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »

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(screen play), (screen play) | 2 more credits »
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Won 1 Oscar. Another 1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
...
...
Lady Alyce
...
Keggs
Ray Noble ...
Reggie
...
Lady Caroline
...
Harry Watson ...
Albert
...
Miss Ruggles
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Storyline

Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau (bumping into dancer Jerry Halliday, instead), she is restricted to the castle to curb her scandalous behavior. Albert then summons Jerry to Alyce's aid in order to "protect his investment." Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

With Sword in Hand He Goes to the Head of the Clash!. See more »


Certificate:

Approved | See all certifications »
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Details

Country:

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Release Date:

19 November 1937 (USA)  »

Also Known As:

Demoiselle en détresse  »

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Box Office

Budget:

$1,035,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After learning that Fred Astaire wanted Burns and Allen to audition for him, George Burns hired a vaudeville dancer he knew to choreograph a complex routine with whisk brooms. Astaire enjoyed the performance by George and Gracie so much that he insisted on working it into the film. See more »

Quotes

Jerry Halliday: What's today?
Gracie: Oh, I don't know.
George: Well, you can tell if you look at that newspaper on your desk.
Gracie: Oh, this is no help, George. It's yesterday's paper.
See more »

Connections

Featured in Great Performances: The Fred Astaire Songbook (1991) See more »

Soundtracks

A Foggy Day
(1937) (uncredited)
Words by Ira Gershwin
Music by George Gershwin
Performed by Fred Astaire
See more »

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User Reviews

 
Fontaine in distress...but there are compensations...
29 April 2005 | by See all my reviews

First of all, in defense of JOAN FONTAINE, it must be said that Ginger Rogers would have been terribly miscast as Alyce, the young British lady who has the title role. Fontaine makes a fetching picture as the heroine here, but her acting inexperience shows badly and her dancing is better left unmentioned. Fortunately, she went on to better things.

But here it's FRED ASTAIRE, GEORGE BURNS and GRACIE ALLEN who get the top billing--and they are excellent. Fans of Burns & Allen will be surprised at how easily they fit into Astaire's dance routines. Especially interesting is the big fun house routine that won choreographer Hermes Pans an Oscar. They join Astaire in what has to be the film's most inventive highlight.

Unfortunately, not much can be said for the slow pacing of the story--nor some of the stale situations which call for a lot of patience from the viewer. It must be said that some of the humor falls flat and the usual romantic misunderstandings that occur in any Fred Astaire film of this period are given conventional treatment. Only the musical interludes give the story the lift it needs.

Some pleasant Gershwin tunes pop up once in awhile but not all of them get the treatment they deserve. The nice supporting cast includes Reginald Gardiner, at his best in a polished comic performance as a conniving servant, Constance Collier and Montagu Love (as Joan's father mistaken as a gardener by Astaire).

It's a lighthearted romp whenever Burns & Allen are around to remind us how funny they were in their radio and television days. Both of them are surprisingly adept in keeping up with Astaire's footwork.

Director George Stevens makes sure that Joan Fontaine's hillside dance number with Fred is filmed at a discreet distance but clever camera-work cannot disguise the fact that she is out of her element as Astaire's dance partner, something she seems painfully aware of.


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