Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »

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Cast

Complete credited cast:
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...
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...
Ray Noble ...
...
Montagu Love ...
Harry Watson ...
Albert
Jan Duggan ...
Miss Ruggles
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Storyline

Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau (bumping into dancer Jerry Halliday, instead), she is restricted to the castle to curb her scandalous behavior. Albert then summons Jerry to Alyce's aid in order to "protect his investment." Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

By George, they're Gracier than ever...in this tune filled, girl thrilled, rousing show!. See more »


Certificate:

Approved | See all certifications »
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Details

Country:

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Release Date:

19 November 1937 (USA)  »

Also Known As:

Demoiselle en détresse  »

Box Office

Budget:

$1,035,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When Fred Astaire learned that Gracie Allen was nervous about dancing with him onstage, he reportedly made a point of tripping and falling in front of her the first day on the set to put her at her ease. See more »

Quotes

Gracie: You know, if it weren't for two things you'd be a terrific dancer.
George: What's that?
Gracie: Your feet.
See more »

Connections

Referenced in The Muppet Show: Madeline Kahn (1977) See more »

Soundtracks

Things Are Looking Up
(1937) (uncredited)
Words by Ira Gershwin
Music by George Gershwin
Song performed by Fred Astaire
Dance performed by Fred Astaire, Joan Fontaine
See more »

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User Reviews

 
Silly plot frames fine musical numbers
4 May 2001 | by (elgin, illinois) – See all my reviews

Disregard the plot and enjoy Fred Astaire doing A Foggy Day and several other dances, one a duo with a hapless Joan Fontaine. Here we see Astaire doing what are essentially "stage" dances in a purer form than in his films with Ginger Rogers, and before he learned how to take full advantage of the potential of film. Best of all: the fact that we see Burns and Allen before their radio/TV husband-wife comedy career, doing the kind of dancing they must have done in vaudeville and did not have a chance to do in their Paramount college films from the 30s. (George was once a tap dance instructor). Their two numbers with Fred are high points of the film, and worth waiting for. The first soft shoe trio is a warm-up for the "Chin up" exhilarating carnival number, in which the three of them sing and dance through the rides and other attractions. It almost seems spontaneous. Fan of Fred Astaire and Burns & Allen will find it worth bearing up under the "plot". I've seen this one 4 or 5 times, and find the fast forward button helpful.


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