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A Damsel in Distress (1937)

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Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »

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Title: A Damsel in Distress (1937)

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Won 1 Oscar. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Reginald Gardiner ...
Ray Noble ...
...
Montagu Love ...
Harry Watson ...
Albert
Jan Duggan ...
Miss Ruggles
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Storyline

Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau (bumping into dancer Jerry Halliday, instead), she is restricted to the castle to curb her scandalous behavior. Albert then summons Jerry to Alyce's aid in order to "protect his investment." Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

It's Smooth! It's Smart! It's Snappy! New Songs! New Steps! New Laughs! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

19 November 1937 (USA)  »

Also Known As:

Demoiselle en détresse  »

Box Office

Budget:

$1,035,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When Fred Astaire learned that Gracie Allen was nervous about dancing with him onstage, he reportedly made a point of tripping and falling in front of her the first day on the set to put her at her ease. See more »

Quotes

Lord John Marshmorton: Miss Allen, is he coming here tonight, your friend Mr. Halliday?
Gracie: Oh, well sure he's not coming here and do you know why he's not coming here tonight? Because he wasn't invited, that's why he's not coming here tonight, Lord Marshmallow.
George: Gracie, it's Marshmorton, not Marshmallow.
Gracie: That's what I said, Marshmallow.
George: Look, Gracie, "marshmallow" is soft and mushy.
Gracie: Oh, please, George! You don't know this gentleman well enough to say that about him.
George: [to Lord Marshmorton] I'm sorry, would you explain that ...
[...]
See more »

Connections

Featured in George Burns' 95th Birthday Party (1991) See more »

Soundtracks

Nice Work If You Can Get It
(1937) (uncredited)
Words by Ira Gershwin
Music by George Gershwin
Performed by Betty Rome, Jan Duggan, Mary Dean, Fred Astaire,
Pearl Amatore
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User Reviews

 
"In foggy London town, the sun is shining everywhere"
12 September 2008 | by (Australia) – See all my reviews

There's a perfectly good reason why Fred Astaire and Ginger Rogers made nine films together between 1933 and 1939 – the pairing worked! Astaire's toe-tappin' class was complemented perfectly by the light-hearted comedic charms of his female co-star, and that he and Rogers never overshadowed each other was crucial to the success of their collaborations. 'A Damsel in Distress (1937)' sees Astaire, for the first time since his debut, momentarily set adrift from this celebrated partnership. It's a pleasant and enjoyable musical comedy, but it doesn't entirely work because Fred is clearly the main attraction, creating an imbalance of tone that feels somehow unsatisfying. Joan Fontaine, in an early role, fills in as the primary romantic interest; she's not particularly convincing here – but, geez, she's gorgeous! – and her charms would carry her along sufficiently until her superb star-making performance in Alfred Hitchcock's 'Rebecca (1940).' Husband-and-wife vaudeville duo George Burns and Gracie Allen provide most of the welcome comic relief, which is basically an extension of their popular stage act.

'A Damsel in Distress' was directed by George Stevens {who had previously worked with Astaire in 'Swing Time (1936)} and adapted by P.G. Wodehouse from his own 1919 novel. Jerry Halliday (Astaire) is a famous American dancer, frustrated by all his publicity, who falls in love with the beautiful Lady Alyce Marshmorton (Fontaine), whom he believes has inexplicably fallen in love with him. What Jerry doesn't realise is that Lady Alyce has actually fallen in love with a different (unseen) American, and that he is being misled by the staff at Tottney Castle, who have placed bets on who their mistress will eventually marry. Reginald Gardiner hilariously hams it up as Keggs, the scheming butler who apparently can't resist belting out an opera when the appropriate music starts playing. Burns and Allen provide the necessary supporting back-up (even matching Astaire step-for-step in the "Fun House" musical number), with the latter playing the ditsy eccentric with perfect composure, utilising more cringeworthy puns than Groucho Marx in 'Duck Soup (1933).'

George Gershwin played a significant role in getting Stevens' film made in the first place, and his songs were completed before script-work actually began. Tragically, the composer died from a brain tumour before production was completed. There were not quite as many musical numbers as I had expected, and very few stood out in my memory like Astaire's greatest tunes. Nevertheless, the "Fun House" number was an elaborate, precisely-orchestrated dance sequence, making superb use of reflections, moving sets and confined spaces. Most memorable of all was Astaire's rendition of "A Foggy Day (In London Town)," performed as the actor traipses gracefully through a fog-ridden forest. Joan Fontaine was the first actress to admit her insufficient capacity to play a convincing terpsichorean, and so she only attempts it once, and, all things considered, she doesn't embarrass herself all that much. She is, of course, always a joy to watch, but her character's "I love you… now I hate you… no, wait, I love you again" routine is overdone and unpersuasive.


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