A Polish countess becomes Napoleon Bonaparte's mistress at the urging of Polish leaders, who feel she could influence him to make Poland independent.

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, (uncredited)
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Nominated for 2 Oscars. Another 1 win. See more awards »
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Cast

Complete credited cast:
...
...
...
Alan Marshal ...
Capt. d'Ornano
Henry Stephenson ...
Count Anastas Walewski
...
Paul Lachinski (as Leif Erikson)
...
Maria Ouspenskaya ...
Countess Pelagia Walewska
C. Henry Gordon ...
Claude Gillingwater ...
Stephan (Marie's servant)
Vladimir Sokoloff ...
Dying soldier
...
Grand Marshal George Duroc
Rest of cast listed alphabetically:
Raymond Butler ...
Minor Role
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Storyline

After a brief informal meeting two months earlier when they were impressed with each other, Countess Marie Walewska formally meets Napoleon Bonaparte at a ball in Warsaw. When Napoleon notes her husband is three times her age, and as he is taken with her charms, he unsuccessfully tries to seduce her. She ignores his frequent letters and flowers until a few grim Polish leaders led by Senator Malachowski urge her to give into his desires as a personal sacrifice in order to save Poland. She goes to him despite the humiliation of her husband, who leaves for Rome to annul their marriage. They are extremely happy for a while; Napoleon divorces childless Empress Josephine and Marie eventually becomes pregnant. She is about to tell Napoleon about her baby when he tells her he decided to marry Archduchess Marie Louise of Austria. He explains it will be a political marriage to insure his future son could rule securely with Hapsburg blood in him. It will not affect their relationship, he says, ... Written by Arthur Hausner <genart@volcano.net>

Plot Summary | Add Synopsis

Taglines:

Metro-Goldwyn-Mayer's Mightiest! See more »

Genres:

Drama | History | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

22 October 1937 (USA)  »

Also Known As:

Beloved  »

Filming Locations:

 »

Box Office

Budget:

$2,732,000 (estimated)

Gross:

$2,141,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This film lost more money for MGM than any other of its films during the period from 1920 to 1949. See more »

Quotes

Countess Pelagia Walewska: Who are you?
Emperor Napoleon Bonaparte: I am Napoleon!
Countess Pelagia Walewska: Napoleon? Napoleon who?
Emperor Napoleon Bonaparte: Hmm? Bonaparte!
Countess Pelagia Walewska: Napoleon Bonaparte? What kind of name is that? What nationality are you?
Emperor Napoleon Bonaparte: Corsican by birth. French by adoption. Emperor by achievement.
Countess Pelagia Walewska: So, you are an Emperor, are you? What are you Emperor of?
Emperor Napoleon Bonaparte: Emperor of France, madame.
Countess Pelagia Walewska: Hee, hee, hee. So you are Emperor of France. And my very good friend, His Majesty, King Louis Sixteenth abdicated in your honor, I suppose?
Emperor Napoleon Bonaparte: Well, he didn't know it at the time but in a sense he did, madame.
[...]
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Connections

Featured in History Brought to Life (1950) See more »

Soundtracks

1812 Overture
(uncredited)
Music by Pyotr Ilyich Tchaikovsky
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User Reviews

 
When the film leaves Walewska behind to follow Napoleon, it drags.
12 July 1999 | by (San José, Costa Rica) – See all my reviews

Ever since I first saw "Conquest" back in '38, I've been convinced that the first half of the film is a magnificent production, while the second half is terribly slow,as Clarence Brown's films always tended to be. The magnificent opening, with the cossacks invading the Walewski Palace, is typical of the best Clarence Brown, even if reminds you of Josef von Sternberg's "The Scarlet Empress". The trouble with the picture is that it starts telling the story or Marie Walewska, and in the middle leaves Walewska (and Garbo!) behind to tell us the political and military fall of Napoleon, which it does very badly. It is typical of this Garbo film, that its best scene omits her, and is a verbal duel between Charles Boyer and Maria Ouspenskaya. Garbo is magnificent, but Boyer was a more talented performer, and is the only actor ever to "steal" a picture from her. Magnificent production, a screen play that has no unity, and a direction that drags, conspire to make you admire Garbo, Boyer and Ouspenskaya during the first half, and sleep through the second.


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