When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she ... See full summary »
Olivia de Havilland,
Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man. Al Wonder and the conductor/singer Tommy are in love ... See full summary »
Anne Brooks is being blackmailed by her old dancing partner Maurice. They married when she was young but broke up after which he said he was getting a quickie divorce. Anne married the much... See full summary »
Nicole Picot is working as a model in a Paris dress salon when she is picked by Stefan Orloff to help him convince a wealthy investor that he is well connected. She is to wear an expensive ... See full summary »
John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »
Ousted from their homeland by the Bolshevik revolution, a royal Russian couple find themselves impoverished and living in Paris. They take positions as butler and housemaid in a wealthy ... See full summary »
Director Joe May was so determined to make this a close remake of the German film Mazurka (1935) that he kept a print of "Mazurka" on the set and frequently ran sections of it, to the annoyance of the new film's cast. In addition to copying the German original shot-by-shot in many scenes, this film also reuses the original score and songs. See more »
Kay Francis gives what is probably her best, most stunning performance in "Confession" - a near shot-by-shot remake of a 1935 Pola Negri soaper called "Mazurka" about a mother/singer who kills her former lover (Basil Rathbone) as soon as she finds out that he is about court her daughter (Jane Bryan). She is put on trial and asked to recount her story. This is a pretty much a routine "Madame X" weepie about maternal sacrifice but under the direction of Joe May, a German emigré who once collaborated with Fritz Lang in Germany, it becomes an amazingly stylish melodrama with sprawling narrative, expressionist outbursts, inventive camera movements, and interesting use of flashbacks. The final moments after the trial are tragic and sad. I love all Kay Francis' movies; "Confession", I think, is her very best.
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