Chan is on a gambling vacation in Monaco. He is called upon to solve two murders. One is a casino messenger on his way to Paris with a million dollars in bonds. The other is a two-bit Chicago gangster recently tending bar in a Monte Carlo hotel. Everyone is suspect and a third of the dialogue is in French. Written by
Ed Stephan <email@example.com>
This was the sixteenth and final Charlie Chan film with Warner Oland portraying Chan. See more »
The architecture of Rogers' room clearly suggests it abuts a steep staircase, but there is no sign of it when Chan is in the hallway outside. See more »
[stranded on road in broken down taxi]
It's no use, Pop. We'd better start walking back.
Illustrious ancestor once say, 'Destination never reached by turning back on same.'
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I liked this one more than most of the other reviewers
As usual, Charlie and Number One Son are visiting when coincidentally there are murders. This time they seem to have something to do with stolen securities which seem to vanish and re-appear like magic. Unlike many of the films, though, Chan and Son seem to be caught up more in the action instead of passively investigating after the fact.
Many of the reviews seem to feel this is one of the weakest of the Warner Oland Charlie Chan films, though I liked it quite a bit and felt it stacked up well with the earlier films from the series. Why did I like it? Well, the stolen bonds angle seemed pretty interesting, Harold Huber (who had just played a New York police inspector in CHARLIE CHAN ON Broadway) was pretty good as a French cop and the film certainly kept my attention. It's not great, but still is a very competent part of a series of excellent and enjoyable detective films and a cut above similar series.
7 of 8 people found this review helpful.
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