Harvey Cheyne is a spoiled brat used to having his own way. When a prank goes wrong onboard an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a ...
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Harvey Cheyne, Jr., second richest person in the world, orphaned and spoiled rotten, encounters a cigar and the sea on his way to England for boarding school. Seasick, over the rail for ... See full summary »
Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
Harvey Cheyne is a spoiled brat used to having his own way. When a prank goes wrong onboard an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a fishing boat just heading out for the season. He tries to bribe the crew into returning early to collect a reward but none of them believe him. Stranded on the boat he must adapt to the ways of the fishermen and learn more about the real world. Written by
Col Needham <firstname.lastname@example.org>
Again-as in the stirring "Mutiny"- you live the roaring drama of men against the sea. You share the struggles, the heartaches, the laughter of courageous souls who leave the women they love to dare the wrath of the angry waves... See more »
Mentioned in J.D. Salinger's novel "The Catcher in the Rye" though not by name. It is said that Holden Caulfield (the main protagonist) looks are based off of Freddie Bartholomew, but without the curly hair. Holden has a buzz cut. See more »
When Manuel is in the water and speaks Portuguese. See more »
The opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood. See more »
A movie like this could only have been made in the early days of cinema. Before the days when fancy camera angles, careful editing, and computer-effects combine to make any pretty-boy a big star, movies had to rely on genuine talent on the part of child actors.
Nowhere is this more evident than with Freddie Bartholomew. The character he plays is a spoiled rich-kid, used to getting his own way and obnoxious with everyone he meets. Yet he plays the role in such a way that we can sympathize with him, rather than detest him. We understand the character, but we do not hate him.
Watch any similar movie made today, and the child actors will whine and sneer and have smart-mouthed replies to everything. In this movie, however, the character is not taken to that extreme, and when he makes his transition in the film we are able to love him, and are able to forget how horrid he was before.
The boy can truly act. When he cries for his loved ones, we cry with him. When he is happy, we are able to smile. And when he does something foolish, we do not get the urge to punch him in the face. The character is attractive by the end of the film, and that is a quality which few (if any) child actors possess today.
If you want to see a touching movie with superb acting and genuine emotion, this is the one.
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