Harvey Cheyne is a spoiled brat used to having his own way. When a prank goes wrong onboard an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a ... See full summary »
Harvey Cheyne, Jr., second richest person in the world, orphaned and spoiled rotten, encounters a cigar and the sea on his way to England for boarding school. Seasick, over the rail for ... See full summary »
Dink Purcell loves his alcoholic father, ex-heavyweight champion Andy "Champ" Purcell, despite his frequent binges, his frequent gambling and their squalid living conditions. And there's ... See full summary »
Harvey Cheyne is a spoiled brat used to having his own way. When a prank goes wrong onboard an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a fishing boat just heading out for the season. He tries to bribe the crew into returning early to collect a reward but none of them believe him. Stranded on the boat he must adapt to the ways of the fishermen and learn more about the real world. Written by
Col Needham <firstname.lastname@example.org>
Harvey Cheyne's fall scene had to be filmed in one take on 20th November 1936. See more »
When planning the Atlantic crossing, Mr. Cheyne is told that the trip would happen on the Queen Anne. A lifeboat on the ship is shown with a name that is partially obscured, but appears to say QUEEN MARY. "QUEEN" is shown in its entirety, and the letters "AR" are clearly shown in the second word. See more »
Wake up, Little Fish. Hey, wake up, wake up! Somebody think you dead, they have celebrations.
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The opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood. See more »
A movie like this could only have been made in the early days of cinema. Before the days when fancy camera angles, careful editing, and computer-effects combine to make any pretty-boy a big star, movies had to rely on genuine talent on the part of child actors.
Nowhere is this more evident than with Freddie Bartholomew. The character he plays is a spoiled rich-kid, used to getting his own way and obnoxious with everyone he meets. Yet he plays the role in such a way that we can sympathize with him, rather than detest him. We understand the character, but we do not hate him.
Watch any similar movie made today, and the child actors will whine and sneer and have smart-mouthed replies to everything. In this movie, however, the character is not taken to that extreme, and when he makes his transition in the film we are able to love him, and are able to forget how horrid he was before.
The boy can truly act. When he cries for his loved ones, we cry with him. When he is happy, we are able to smile. And when he does something foolish, we do not get the urge to punch him in the face. The character is attractive by the end of the film, and that is a quality which few (if any) child actors possess today.
If you want to see a touching movie with superb acting and genuine emotion, this is the one.
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