Camille (1936) 7.4
A Parisian courtesan must choose between the young man who loves her and the callous baron who wants her, even as her own health begins to fail. Director:George Cukor |
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Camille (1936) 7.4
A Parisian courtesan must choose between the young man who loves her and the callous baron who wants her, even as her own health begins to fail. Director:George Cukor |
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| Complete credited cast: | |||
| Greta Garbo | ... | ||
| Robert Taylor | ... |
Armand
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| Lionel Barrymore | ... | ||
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Elizabeth Allan | ... | |
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Jessie Ralph | ... | |
| Henry Daniell | ... | ||
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Lenore Ulric | ... | |
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Laura Hope Crews | ... | |
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Rex O'Malley | ... | |
Marguerite is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Marguerite discovers that Armand has not lost his love for her. Written by Jim Beaver <jumblejim@prodigy.net>
The luminous Greta Garbo in one of her best remembered roles. In this she is the tragic heroine who is dabbling with fate with Robert Taylor (who seems to be wearing more make-up than Greta!) while moving towards the inevitable weepie conclusion.
Certainly Garbo was best in these kind of other-worldly roles, in another place and time, than she was in the few contemporary features she attempted. Not a great actress, but a beautiful woman and a true star who the camera clearly loved. Taylor would move out of romances and musicals into more typically heroic roles by the end of the 1930s, but he's a good romantic lead here.
And I mustn't forget the pleasure of seeing Henry Daniell, one of Hollywood's greatest villains.
Filmed with the commonplace MGM gloss of the time, Camille' delivers on all levels - if you're looking for an escapist, teary, film with lots of close-ups and a nice slow pace. It belongs square in that first decade of the talkies and this sort of thing fell out of fashion after the Second World War.