Young Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love so Armstrong tells him the story of ... See full summary »
Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara... See full summary »
Erich von Stroheim
While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back ... See full summary »
Marguerite is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Marguerite discovers that Armand has not lost his love for her. Written by
Jim Beaver <firstname.lastname@example.org>
When you think of the lavish 30s films of MGM, Camille is near the top of the list. Great story and flawless production here boasting perhaps the most shimmering of Greta Garbo's ethereal performances as Marguerita Gautier (Camille). Familiar and much filmed story, this is nevertheless the best of them all. Matching Garbor is the hopelessly romantic Robert Taylor in his best 30s role. Also good are Lionel Barrymore, Henry Daniell, and Jessie Ralph as the maid. Great comic relief is provided by Laura Hope Crews (Prudence)and Lenore Ulric (Olympe)--what a pair of vultures! But the center of this gorgeous film is Garbo. She is so frail looking, her voice so soft. Garbo plays Marguerite as a frailty incarnate. She never overacts the part as most do with the endless coughing and fainting. One of George Cukor's triumphs. Rex O'Malley and Elizabeth Allan are dull but have small parts. I also spotted Eily Malyon and Zeffie Tilbury, and Joan Leslie is listed in the credits. I think this is Garbo's best performance, but she lost the Oscar to Luise Rainer for The Good Earth. Also nominated that year: Irene Dunne (The Awful Truth), Barbara Stanwyck (Stella Dallas), and Janet Gaynor (A Star Is Born). Wow----how could you choose just one?
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