Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara... See full summary »
Erich von Stroheim
Young Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love so Armstrong tells him the story of ... See full summary »
While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back ... See full summary »
Marguerite is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Marguerite discovers that Armand has not lost his love for her. Written by
Jim Beaver <firstname.lastname@example.org>
A song inspired by Camille was published in 1936: "I'll Love Like Robert Taylor, Be My Greta Garbo" with music and lyrics by Milton Benjamin. See more »
Prudence raises her left hand to her cigar, but removes it from her mouth with the right hand. See more »
If you don't stop being so easy-going with your money, you'll land in the gutter before you're through or back on that farm where you came from, milking cows and cleaning out hen houses.
Cows and chickens make better friends than I've ever met in Paris.
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Most Greta Garbo fans rank this as her finest work--and it probably is. Not only is she highly competent in the title role, but the supporting cast shines just as brightly--everyone from Laura Hope Crewes to Henry Daniell to Lionel Barrymore. And Robert Taylor is the ideal romantic hero at the peak of his darkly handsome good looks. He and Garbo make a wonderful pair.
George Cukor's direction is full of richly observed details of behavior, never flinching from the occasional coarseness of the characters. All of the technical work is above reproach and those familiar with the story of the Lady of the Camelias will not be disappointed. Lionel Barrymore makes a brief but effective appearance midway through the film. His scene with Garbo is delicately played and gives added credence to Garbo's nobility in letting her lover go.
Biggest drawback is the film's pace--some editing may have helped--but the final result is still impressive.
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