Young Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love so Armstrong tells him the story of ... See full summary »
Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara... See full summary »
Erich von Stroheim
Marguerite is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Marguerite discovers that Armand has not lost his love for her. Written by
Jim Beaver <firstname.lastname@example.org>
Henry Daniell replaced John Barrymore due to the influence of Greta Garbo. According to Daniell's daughter Allyson, by this point the increasingly alcoholic Barrymore had poor personal hygiene, and the actress preferred Daniell as de Varville. According to Allyson in a January 1983 issue of "Films in Review," "She enjoyed working with John in "Grand Hotel," but when it came time for "Camille," it was observed that, unlike Barrymore, Daddy didn't smell." See more »
Prudence raises her left hand to her cigar, but removes it from her mouth with the right hand. See more »
I know I don't mean anything to you. I don't count. But someone ought to look after you. And I could if you'd let me.
Too much wine has made you sentimental.
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Most Greta Garbo fans rank this as her finest work--and it probably is. Not only is she highly competent in the title role, but the supporting cast shines just as brightly--everyone from Laura Hope Crewes to Henry Daniell to Lionel Barrymore. And Robert Taylor is the ideal romantic hero at the peak of his darkly handsome good looks. He and Garbo make a wonderful pair.
George Cukor's direction is full of richly observed details of behavior, never flinching from the occasional coarseness of the characters. All of the technical work is above reproach and those familiar with the story of the Lady of the Camelias will not be disappointed. Lionel Barrymore makes a brief but effective appearance midway through the film. His scene with Garbo is delicately played and gives added credence to Garbo's nobility in letting her lover go.
Biggest drawback is the film's pace--some editing may have helped--but the final result is still impressive.
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