6.7/10
389
12 user 4 critic

Café Metropole (1937)

Approved | | Comedy, Drama, Romance | 7 May 1937 (USA)
In Paris, young American Power is in debt to nightclub owner Menjou who forces him to woo heiress Young in hopes of reaping her fortune.

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Writers:

(screen play), (original story)
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Cast

Complete credited cast:
...
...
...
Monsieur Victor
...
Paul
...
Joseph Ridgeway
...
Margaret Ridgeway
...
Maxl Schinner
...
Monsieur Leon Monnet
Georges Renavent ...
Captain
...
Artist
Hal K. Dawson ...
Arthur Cleveland Thorndyke
...
Police Official
André Cheron ...
Croupier (as Andre Cheron)
...
Hat Clerk (as Andre Beranger)
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Storyline

Victor Lobard, the smooth and nimble owner of the Café Metropole in Paris, has only ten days to replace a small fortune he embezzled from the business; he and a clerk face prison if he fails. He thinks he's won the money at a casino then learns he's in possession of a rubber check written by Alexander Brown, a well-mannered but penniless Yank. Lobard cooks up a scheme: to have Brown pretend to be a Russian prince, woo a visiting American, and get her rich father to give Brown the money Lobard needs. Several problems: Brown's not a very good impostor, a real Russian prince presents himself, and the two young people fall in love. Does prison await or do wild strawberries? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

7 May 1937 (USA)  »

Also Known As:

Cafe Metropole  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Hollywood Reporter production charts and news items listed Jean Hersholt in the cast, but he did not appear in the movie. See more »

Quotes

Monsieur Victor Lobard: That's the trouble with a flawless plan! There's always a flaw in it!
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User Reviews

 
Vintage Charm
7 August 2009 | by (United States) – See all my reviews

It must be 35 years or so since I saw this film in an "Art House" Theatre. But it still has left one, strong, lingering impression.

There is one scene on the dance floor that took my breath away. Power is wearing a tailcoat and white tie. Young is in a satin floor length gown that clung to even inch of her elegant form. They were dancing like a young god and goddess.

I remember thinking, "At that moment in time, they had to be the two most beautiful people on the face of the earth." I recall nothing else about the film save this moment. But it's quite sufficient.

Sometimes, all it takes is just one scene to leave an impression that makes the memory of a film vivid for decades. In an era when class and style are neither appreciated, celebrated or understood, a film like this is a reminder of these words mean -- or at least meant.


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