In the mid-1700's the East India Company has power over commerce on the sub-continent, with the blessings of the British government. A clerk in the company, Robert Clive, is frustrated by ... See full summary »
A movie company is doing the Arabian Nights when a hobo enters their camp, falls asleep and dreams he's back in Baghdad as advisor to the Sultan. In a spoof of Rosevelt's New Deal, he ... See full summary »
Victor Lobard, the smooth and nimble owner of the Café Metropole in Paris, has only ten days to replace a small fortune he embezzled from the business; he and a clerk face prison if he fails. He thinks he's won the money at a casino then learns he's in possession of a rubber check written by Alexander Brown, a well-mannered but penniless Yank. Lobard cooks up a scheme: to have Brown pretend to be a Russian prince, woo a visiting American, and get her rich father to give Brown the money Lobard needs. Several problems: Brown's not a very good impostor, a real Russian prince presents himself, and the two young people fall in love. Does prison await or do wild strawberries? Written by
Among the photos in Monsieur Victor Lobard's office are Warner Baxter, Shirley Temple, Will Rogers, Alice Faye, Rochelle Hudson, Thomas Beck, all Fox players, plus Gloria Swanson, Jack Dempsey, and Charles Chaplin. See more »
It must be 35 years or so since I saw this film in an "Art House" Theatre. But it still has left one, strong, lingering impression.
There is one scene on the dance floor that took my breath away. Power is wearing a tailcoat and white tie. Young is in a satin floor length gown that clung to even inch of her elegant form. They were dancing like a young god and goddess.
I remember thinking, "At that moment in time, they had to be the two most beautiful people on the face of the earth." I recall nothing else about the film save this moment. But it's quite sufficient.
Sometimes, all it takes is just one scene to leave an impression that makes the memory of a film vivid for decades. In an era when class and style are neither appreciated, celebrated or understood, a film like this is a reminder of these words mean -- or at least meant.
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