| Joan Crawford | ... | Anni Pavlovitch | |
| Franchot Tone | ... | Giulio | |
| Robert Young | ... | Rudi Pal | |
| Billie Burke | ... | Contessa di Meina | |
| Reginald Owen | ... | Admiral Monti | |
| Lynne Carver | ... | Maddelena Monti | |
| George Zucco | ... | Count Armalia | |
| Mary Philips | ... | Maria (as Mary Phillips) | |
| Paul Porcasi | ... | Signor Nobili | |
| Dickie Moore | ... | Pietro | |
| Frank Puglia | ... | Alberto | |
| rest of cast listed alphabetically: | |||
| Nino Bellini | ... | Cosmos Club Waiter (uncredited) | |
| Agostino Borgato | ... | Cordellera Bar Waiter (uncredited) | |
| Adriana Caselotti | ... | First Peasant Girl (uncredited) | |
| Robert Cauterio | ... | Hotel Clerk (uncredited) | |
| Irene Coleman | ... | Cosmos Club Hat Check Girl (uncredited) | |
| Gino Corrado | ... | Cosmos Club Croupier (uncredited) | |
| Franco Corsaro | ... | Hotel Chauffeur (uncredited) | |
| Rita Gould | ... | Saleslady (uncredited) | |
| Geneva Hall | ... | Tango Dancer (uncredited) | |
| Charles Judels | ... | Cordellera Bar Proprietor (uncredited) | |
| Jean Lewis | ... | Second Peasant Girl (uncredited) | |
| Fred Malatesta | ... | Rudi's Waiter (uncredited) | |
| Alphonse Martell | ... | Hotel Headwaiter (uncredited) | |
| Francisco Marán | ... | Cosmos Club Doorman (uncredited) | |
| Eric Mayne | ... | Cosmos Club Patron (uncredited) | |
| John Oliver | ... | Page Boy (uncredited) | |
| Ann Rutherford | ... | Third Peasant Girl (uncredited) | |
| Rafael Storm | ... | Hotel Clerk (uncredited) | |
| Mike Tellegen | ... | Bar Patron (uncredited) | |
| Harry Wilson | ... | Sailor at Cordellera Bar (uncredited) | |
Directed by | |||
| Dorothy Arzner | |||
Writing credits | ||
| Ferenc Molnár | (play "The Girl From Trieste") (as Ferenc Molnar) | |
| Waldo Salt | (adaptation) uncredited and | |
| Catherine Turney | (adaptation) uncredited | |
| Tess Slesinger | (screenplay) and | |
| Bradbury Foote | (screenplay) | |
Produced by | |||
| Joseph L. Mankiewicz | .... | producer | |
Original Music by | |||
| Franz Waxman | |||
Cinematography by | |||
| George J. Folsey | (as George Folsey) | ||
Film Editing by | |||
| Adrienne Fazan | |||
Art Direction by | |||
| Cedric Gibbons | |||
Costume Design by | |||
| Adrian | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Edward Woehler | .... | assistant director (uncredited) | |
Art Department | |||
| Daniel B. Cathcart | .... | associate art director | |
| Edwin B. Willis | .... | associate art director | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Camera and Electrical Department | |||
| Harkness Smith | .... | assistant camera (uncredited) | |
Music Department | |||
| Paul Marquardt | .... | orchestrator (uncredited) | |
Other crew | |||
| Val Raset | .... | dances stager | |
| Kasha Haroldi | .... | stand-in: Joan Crawford (uncredited) | |
| Wallace Worsley Jr. | .... | script clerk (uncredited) | |
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Despite the provocative title and the first few scenes, which suggest this might be an interesting variation on Shaw's "Pygmalion," we're actually back in Joan Crawford's MGM universe, where one suitor isn't enough if you can have two, and where Adrian can be counted on to provide a drop dead gown at regular intervals.
This airless, relentlessly phony picture did Crawford no favors. For a major star she is remarkably inexpressive. Her face, so strong, angular and meticulously made up, is striking enough to get all our attention, but this curiosity is never repaid. We search Joan's face looking for fleeting expressions, varying moods, complex emotions but we get only a single mask of anxiety. Crawford in this period seems incapable of shaping a performance or giving a character flesh, blood and heart -- she just sleepwalks from scene to scene looking as perfect and lifeless as a mannequin (coincidentally the title of her next film).
If glamor without rhyme, reason or variation is your idea of entertainment, you are welcome to it, but I thought THE BRIDE WORE RED was both strange and boring. By the way, the eponymous dress is kind of tacky but undeniably spectacular, and it sure looks red, even in black and white.