Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory, he sends Anni, who is a singer in a dive, to a ritzy resort for two weeks. ... See full summary »
While romancing a beautiful Russian countess, a captain in the Austrian intelligence service is assigned to capture "K-14", a clever spy who has so far managed to remain undetected. What ... See full summary »
Rip Reardon, ex-Army flier, returns to his home in French Morocco and finds his wife dead, and he suspects she has been murdered. Police Colonel Moussac insists she committed suicide. Rip ... See full summary »
After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long suffering and ... See full summary »
Based on the best-selling novel by Irving Wallace that was inspired by the Kinsey Report on the sexual mores of suburban women, the film follows the personal (read sexual) lives of four ... See full summary »
Efrem Zimbalist Jr.,
The Villa Fiorita is set on the banks of an Italian lake. The battle is for the mother of 2 children who having fallen in love with an Italian composer and concert pianist leaves her ... See full summary »
While returning to Montana from a fling in New York, wealthy Joan Prescott leaves the train, intending to return to the big city. She runs into handsome cowboy Larry and gets engaged. On ... See full summary »
Malcolm St. Clair
Johnny Mack Brown,
Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory, he sends Anni, who is a singer in a dive, to a ritzy resort for two weeks. With fancy new clothes and ersatz status, Anni decides that she likes the rich life. But with time running out, she needs a rich husband and Rudi is the one she chooses. Only it takes longer than two weeks for Rudi to dump his fiancée and propose to her. In the weeks that she has been there, she finds that she loves Giulio, the postman with the small house and the donkey cart. But will she give up love for wealth.... Written by
Tony Fontana <firstname.lastname@example.org>
During filming, an electrician fell from the catwalk high above the set, narrowly missing the film's star, Joan Crawford. Shooting was temporarily halted while the man was rushed to hospital. Crawford refused to resume production until she was assured that the man would be fully cared for, that he would remain on salary, and that his family would be provided for. Crawford also called the hospital each day afterwards for reports on his condition. See more »
I want you to marry her, and I want my love to haunt you...to make you lie awake at night, to burn your heart, to make you sick with pain! I want you to think of me and to ache for me. I want never to see you again!
See more »
During the opening credits, a music box is shown playing a tune in the background. See more »
Joan Crawford stars in "The Bride Wore Red," a 1937 MGM film based on the play by Ferenc Molnar. Here, it's directed by Dorothy Arzner. Arzner was a fascinating woman - a female director amid a sea of men - very much ahead of her time in her dress, profession, and lifestyle, and highly intelligent. Was she a great director? Hard for me to say. I don't think she always got the best scripts. And in Crawford, she had a headstrong star as well.
The story concerns a poor girl, Anni (Crawford) who sings in a sleazy café (read: with prostitution as a sideline)in the red light district of Trieste. A count she meets believes that the only thing separating the rich from the poor is money - it's not class, it's not breeding, it's not education. To make his point, he sends Anni to a fabulous resort with beautiful new clothes for two weeks. Anni meets Rudi (Robert Young), from an excellent and wealthy family, but he's engaged. With time short, Anni decides that it's Rudi she wants, and is determined to stick it out as long as necessary to get him. But it's not only a lack of funds and Rudi's fiancé standing in her way - it's also the postman, Giulio (Franchot Tone).
Crawford is beautiful, and this was the type of role she played continuously in the 1930s with great success. Tone, Young, and Billie Burke give her good support.
What is this business with the "no European accents" that someone mentioned? Actors do not use European accents when portraying foreigners in their own country or a nearby country. The characters aren't speaking English with a foreign accent in Poland, Switzerland, or Italy. They're speaking another language. If accents were necessary, all Chekov plays would be done with Russian accents. They aren't.
I thought for what this was, the film took a little too long to make its point and was a bit slow in spots. It's not the best Crawford film, but she gives a strong performance as a willful woman determined to marry money. As for Arzner's direction, apparently she couldn't get anywhere with Crawford, so I'll withhold judgment.
1 of 1 people found this review helpful.
Was this review helpful to you?