Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory, he sends Anni, who is a singer in a dive, to a ritzy resort for two weeks. ... See full summary »
Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory, he sends Anni, who is a singer in a dive, to a ritzy resort for two weeks. With fancy new clothes and ersatz status, Anni decides that she likes the rich life. But with time running out, she needs a rich husband and Rudi is the one she chooses. Only it takes longer than two weeks for Rudi to dump his fiancée and propose to her. In the weeks that she has been there, she finds that she loves Giulio, the postman with the small house and the donkey cart. But will she give up love for wealth.... Written by
Tony Fontana <email@example.com>
Three cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): Anna Demetrio (Signora Milani), George W. Jimenez (Signor Calla) and Abe Dinovitch (Yodeller). Child actor Bill Burrud is listed as a cast member in some contemporary newspapers, but he was not seen either. See more »
In about 1980 I saw this film at the UCLA Film Archives in a series presenting Dorothy Arzner directed films. There was a guest speaker at the event who was a personal friend of Arzner's. I don't remember her name, but she was introduced as, among other things, the writer for the script of "Craig's Wife" (1936; starring Rosalind Russell).
She said she was on the set for some of the shooting of "Bride Wore Red," and described how Joan Crawford was completely uncooperative with the director. Originally it was written for Luise Rainer but for some reason she was unavailable. "So they got Joan Crawford who wasn't anything like her," and was not suited for the film in this woman's opinion. While she was on the set she witnessed how Dorothy Arzner would gently make suggestions as to how to play a scene, "...and Joan would scream, 'You'll destroy me! You'll destroy me!' and she would run up to L.B. Mayer and he would say, 'There, there Joan, play it your way." So she did, "...and frankly, the film bombed. But when you have a star that is entirely uncooperative, you can't blame the director." I hope I have quoted this woman accurately. That is what has stuck in my memory. I am a big Crawford fan, but her flaws were apparently spectacular. I just thought it would be interesting to record this bit of info.
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