Rider Kelly Cobb travels to county rodeos to win money so he can buy a patch of land he wants to call his own. He rescues trick rider Jackie Adams from the clutches of an amorous sports ... See full summary »
Howard W. Koch
Mamie Van Doren,
Johnny Damico botches a murder case and is suspended from the force. In reality, he is put undercover to identify the mysterious boss of the NY waterfront who has murdered everyone in his way. Will Johnny be next in line?
Racketeer Jim Barnes is trying to force the independent taxicab-drivers to join his 'protection service" at the cost of five bucks a day. Champion race-car driver, Bob Kane, joins with his friends Lee and "Dad" Martin in a fight for the street rights of a big city. Written by
Les Adams <firstname.lastname@example.org>
Due to a filming accident in which he injured two fingers of his left hand, Brian Donlevy spends almost the entire film with the hand in question either in his pocket, heavily gloved or somehow out of sight. It's finally revealed in its bandaged late in the final sequence. See more »
When "Hurry" Kane drops Sybil off at the county jail there is minimal damage to the taxi. In the next scene the taxi pulls into the garage with substantial damage. See more »
An extremely lively, well-acted programmer, credited to director Mal St Clair, a top man in the silent period, but now working in Fox's "B" unit. As usual for Fox, the budget looks extremely generous for a "B"-grader, with lots of extras, attractive sets, and Miss Hudson modeling a stunning series of winning costumes. But most important ingredient of all: scads of action! Indeed perhaps too much action and too over the top. The script is credited to John Patrick, plus Fox's top writing team, Robert Ellis and Helen Logan. Unfortunately, "Born Reckless" was a troubled production. Donlevy injured his left hand, other writers were brought in, and director Gustav Machaty shot some footage possibly all of the more spirited scenes with Donlevy which do not seem typical of credited director Mal St Clair's usual, far more leisurely style. The action spots are certainly most vigorously staged but rather far-fetched for what is supposed to be a realistic exposé of graft and corruption in the taxi industry.
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