Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
The ex-fiancée of a young rich man becomes the companion of a jewel thief, forming a vaudeville act with face "cure", but after she discovers, that she can really cure people, she decides ... See full summary »
Artist Jimmy Hudson (Cary Grant) is stuck in Mexico unable to pay his hotel bill. Meanwhile, Louise Fuller (Grace Moore) opera singer is stuck in the same town unable to return to the US ... See full summary »
In 1915, German Counter-Intelligence Chief Von Sturm learns that someone is providing the British with critical strategic planning for the Turkish theater. He suspects Ali Bey, Turkish ... See full summary »
Betty Jackson, a socialite, and Barry Trent are attracted to each other upon first sight. They met running into each other in the park as they walked their respective dogs day after day. ... See full summary »
Millionaire Turner, on his deathbed, leaves a million to Jane Barker. A movie addict who believes life is like the movies, marries Donn without telling him about the bequest. Turner gets ... See full summary »
Frederick De Cordova
We find con-man Ingraham Steward living by his wits by steering wealthy Paris visitors to sellers of fake paintings and other assorted dodges. He and his wife, Agatha, have been separated for 15 years, but he promises to give their daughter, Joyce, a lavish wedding at his "château" in France. The fact that he doesn't have a château in France is just a minor trifle. He induces the caretaker, Bill Cherau, of a large country estate to allow it to be used for the wedding. The wedding party arrives and Bill falls madly in love with Joyce and she with him, but a gal has gotta do what a gal has gotta do, and her intended marriage to stuffed-shirt Horace Miller stays on the books. But Steward has a change of heart and he tells one and all that he and his friends, Von Gersdorff, Lefevre, Iznamof, Clifton Summitt and Sasch, are all frauds and crooks. Horace and his family stalk out, which is just fine with Joyce as her true love, the caretaker, is waiting on the grounds. That he turns out to be... Written by
Les Adams <email@example.com>
This film received its initial television broadcast in Los Angeles Monday 20 May 1957 on KTTV (Channel 11), followed by Philadelphia Tuesday 10 December 1957 on WFIL (Channel 6); its earliest documented telecasts in San Francisco occurred 1 December 1959 on KGO (Channel 7) and in New York City 29 November 1962 on WCBS (Channel 2). See more »
Ach Du Lieber Augustine
18th century German folksong
Played by the orchestra when Count Heinrich enters See more »
Just an okay story that is brought to life thanks to an excellent ensemble cast and a lot of charm
Just a few years later, the basic plot elements from BEG, BORROW OR STEAL were re-worked into THE WILD MAN OF BORNEO--and both starred Frank Morgan. However, of the two, BEG, BORROW OR STEAL is a far superior film due mostly to the great ensemble cast as well as its charm. BORNEO, by contrast, was a stale recycled idea and the film limped along solely on the power of Frank Morgan's acting--and it was not nearly enough to make the picture worth seeing.
So why is this a film good enough to earn a score of 7? Well, I already mentioned the cast. Morgan's character in both films is a bit of a scoundrel but this time he's accompanied by a group of five friends who are also crooks but exude charm. Later in the film, E. E. Clive makes a wonderful appearance and practically steals the show due to his funny delivery and great lines. This means that the entire production does NOT rest on Morgan's shoulders but is more of a group effort. Plus, the supporting actors are funny, whereas in BORNEO, they are at times pretty annoying. In addition to the acting, the music, direction and setting all work together to give the film a much needed infusion of charm and romance.
In many ways, this film also reminds me of some of W. C. Fields' films--ones where he is a bit of a rogue but by the end, everything works together to bring him a happy ending. A cute and enjoyable film from start to finish.
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