"Lucky" Walden is a power lineman-turned-criminal. He is due to go to the electric chair, which he helps prison electricians wire correctly, when his sentence is commuted for an act of ...
See full summary »
From the IMDboat, Kevin Smith discusses the San Diego Comic-Con trends with Iwan Rheon ("Inhumans"), IMDb Social Media Editor Tori Wadzita, and IMDb Entertainment Editor Arno Kazarian. Browse our Guide to Comic-Con for more.
Get entertainment news, trailer drops, and photos with IMDb's coverage of 2017 San Diego Comic-Con featuring host and IMDboat captain Kevin Smith. Watch our exclusive celebrity interviews, and tune in to our LIVE show from 3:30 to 5 p.m. PDT on Saturday, July 22.
"Lucky" Walden is a power lineman-turned-criminal. He is due to go to the electric chair, which he helps prison electricians wire correctly, when his sentence is commuted for an act of heroism. But he finds the wrong side of the law more attractive, and returns to his nefarious ways. Written by
Jim Beaver <email@example.com>
This film received its initial television broadcast in Los Angeles Thursday 23 May 1957 on KTTV (Channel 11); in Philadelphia it was first telecast Monday 14 April 1958 on WFIL (Channel 6), in San Francisco 24 December 1959 on KGO (Channel 7) and in New York City 5 September 1962 on WCBS (Channel 2). See more »
The movies loved rogues in the old days. Whores with hearts of gold (though they couldn't call them that,--whores I mean), con men who were kind to widows and orphans, gangsters who were really robin hoods in fedoras and pin-striped suits. This was especially true in the economic hard times of the Depression. One saw fewer of such films after the war. Nowadays things are quite different, and the formula would seem ridiculously old-fashioned and corny. Maybe the rise of mass education had something to do with it. As people have become more middle class they are increasingly concerned about "respectability". In the days when most people worked with their hands or lived off the land the good bad guy thing was acceptable. But enough sociological musing. In this film the good bad guy is Bruce Cabot, who could play really bad guys quite well also, which gives his character added ambiguity. The setting is New York, the work is power lineman. Cabot is credible in both his good and bad aspects, which makes his nice guy attributes more effective than had his role been played by, say, Don Ameche. Director Eddie Cahn, a master of the short subject, directs this one for speed and beauty. It has plenty of both. The backlot cityscapes are something to see.
5 of 7 people found this review helpful.
Was this review helpful to you?