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The Awful Truth (1937)

Not Rated | | Comedy, Romance | 21 October 1937 (USA)
Unfounded suspicions lead a married couple to begin divorce proceedings, whereupon they start undermining each other's attempts to find new romance.

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Won 1 Oscar. Another 2 wins & 5 nominations. See more awards »

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Cast

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Mary Forbes ...
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Storyline

Before their divorce becomes final, Jerry and Lucy Warriner both do their best to ruin each other's plans for remarriage, Jerry to haughty socialite Molly Lamont, she to oil-rich bumpkin Daniel Leeson. Among their strategies: Jerry's court-decreed visitation rights with Mr. Smith, their pet fox terrier, and Lucy doing her most flamboyant Dixie Belle Lee impersonation as Jerry's brassy "sister" before his prospective bride's scandalized family. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Add Synopsis

Taglines:

It's a Glorious Comedy... Uproarious Romance!

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

21 October 1937 (USA)  »

Also Known As:

Cette sacrée vérité  »

Company Credits

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Technical Specs

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Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Remake of the 1929 film that starred Ina Claire as Lucy Warriner and Henry Daniell as Jerry Warriner. See more »

Goofs

Lucy introduces her music teacher "Armand Duvalle" as "Armand Lavalle". See more »

Quotes

[first lines]
Jerry Warriner: Come on, Haig, get that sun lamp ready.
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Connections

Referenced in Sex and the City: The Awful Truth (1999) See more »

Soundtracks

Home on the Range
(1904) (uncredited)
Music by Daniel E. Kelley
Lyrics by Brewster M. Higley (1872)
Played on piano by Irene Dunne
Sung by Irene Dunne and Ralph Bellamy
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User Reviews

 
Accept No Substitutes! This Is The Best
3 January 2006 | by (NY, NY) – See all my reviews

The funniest comedy ever made. An older friend introduced me to "The Awful Truth" in the days before VCRs. I thought it so hilarious, I taped the dialogue on a tape recorder when it was shown on local channels.

Of course, the most famous scene is the one in which Irene Dunne, still in love with husband Grant, appears at his society girl's family's estate. She pretends they are from a class these snobs would not accept. It is Dunne's finest ten minutes -- hilarious and it never grows old.

But the whole movie is funny. Cary Grant and his "continental mind." Grant thinking he is bursting in on a love nest, only to find himself in the middle of a sedate vocal recital. And Dunne, singing a Tosti song, watches him lovingly as he stumbles and executes pratfalls, ending her son with a laugh rather than the words of her song! Asta, even, is put to better use than he was in the delightful "Thin man" series. Here is their dog Mr. Smith.

Esther Dale never had a better role than as Ralph Bellamy's prudish and prurient mother. And Bellamy, as he played the wrong man so often in romantic comedies, is easy to take for granted. But he is delightful too.

Joyce Compton, in endless movies for a couple decades, is an absolute scream as Dixie Belle, the risqué nightclub performer with whom Grant takes up at around the time Dunne has taken up with deadly dull Bellamy.

Not only is this sequence funny but it is also touching: Don't we all, on the rebound, make choices that seem right but turn out catastrophic! I also like "Twentieth Century" and Bringing Up Baby." I do not like the smug "My Favorite Wife," also with Dunne and Grant" or the mean "Nothing Sacred." When it comes to screwball comedy, this is the one! It surely is one of the greatest of all American movies.


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