2 user 4 critic

Angel's Holiday (1937)

Approved | | Comedy | 7 June 1937 (USA)
With the help of a young newspaperman Jane rescues a movie star who is caught held for ransom when she visits her hometown.



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Cast overview, first billed only:
June 'Angel' Everett
Pauline Kaye
Nick Moore
Bat Regan
Butch Broder
Waldo Everett
Al Lydell ...
Gramp Hiram Seely
Sgt. Murphy
John Kelly ...
George Taylor ...
Chief of Police

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With the help of a young newspaperman Jane rescues a movie star who is caught held for ransom when she visits her hometown.

Plot Summary | Add Synopsis




Approved | See all certifications »




Release Date:

7 June 1937 (USA)  »

Also Known As:

Anjo em Férias  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Mirrophonic Recording)|

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Who's That Knocking at My Heart
Music by Burton Lane
Lyrics by Ralph Freed
See more »

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User Reviews

Very worthwhile!
25 January 2006 | by (Easley, South Carolina) – See all my reviews

Jane Withers was one of those stars that came across as larger than life. She was the ultimate kid, full of energy and enthusiasm for whatever was thrown her way. From beginning to end, Jane is "on" in Angel's Holiday.

Angel's mystery writer father drops her off with his brother, a newspaper publisher. Ten year old Angel has a crush on Nick Moore, a reporter in hot water with the publisher. She even suggests he start calling her by her real name, June, as she thinks the name Angel is a bit childish. To help Nick win favor with his boss, she tips him off to the whereabouts of the missing movie star, Pauline Kaye. Pauline Kaye happens to be an old flame of Nick, and she is being hidden by her agent as a publicity stunt. By the time everything ends Jane has tangled with mobsters (looking to really kidnap the star), and the entire police force. She charms one of the crooks and irritates the police chief. Angel's Holiday really never has a dull moment. This movie is a gem among old movies!

Jane does her impression of Martha Raye, and then Joan Davis does a screwball routine. While Jane's comedy approach is still acceptable to contemporary audiences, Joan's comedy is definitely embedded in the 1930's. The comedy of this movie is more situational than jokes and routines, anyway, so anyone can find this movie funny today. Joan Davis' billing in the credits was higher than Sally Blane's, but Sally Blane had more screen time.

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