| Photos (See all 25 | slideshow) | Videos |
| Marlene Dietrich | ... | Maria 'Angel' Barker, aka Mrs. Brown | |
| Herbert Marshall | ... | Sir Frederick Barker | |
| Melvyn Douglas | ... | Anthony 'Tony' Halton | |
| Edward Everett Horton | ... | Graham | |
| Ernest Cossart | ... | Christopher 'Chris' Wilton | |
| Laura Hope Crews | ... | Grand Duchess Anna Dmitrievna | |
| Herbert Mundin | ... | Mr. Greenwood | |
| Dennie Moore | ... | Emma MacGillicuddy Wilton | |
| rest of cast listed alphabetically: | |||
| Ivan Lebedeff | ... | Prince Vladimir Gregorovitch (scenes deleted) | |
| Leonard Carey | ... | Barker's Footman (uncredited) | |
| Louise Carter | ... | Flower Woman (uncredited) | |
| Phyllis Coghlan | ... | Maria's Maid (uncredited) | |
| Gino Corrado | ... | Assistant Hotel Manager (uncredited) | |
| George Davis | ... | First Taxi Driver (uncredited) | |
| Duci De Kerekjarto | ... | Violinist (uncredited) | |
| Herbert Evans | ... | Lord Davington's Butler (uncredited) | |
| James Finlayson | ... | Barker's Second Butler (uncredited) | |
| Bobby Hale | ... | News Vendor (uncredited) | |
| Gerald Hamer | ... | Barker's Footman (uncredited) | |
| Sam Harris | ... | Man at Club (uncredited) | |
| Arthur Hurni | ... | Second Taxi Driver (uncredited) | |
| Olaf Hytten | ... | Consolidated Press Photographer (uncredited) | |
| Suzanne Kaaren | ... | Girl Who Gambles (uncredited) | |
| Carl M. Leviness | ... | Nightclub Guest (uncredited) | |
| Gwendolyn Logan | ... | Woman With Maria (uncredited) | |
| Lionel Pape | ... | Lord Davington (uncredited) | |
| Joseph Romantini | ... | Club Headwaiter (uncredited) | |
| Michael Visaroff | ... | Gregori, the Grand Duchess' Butler (uncredited) | |
| Eric Wilton | ... | Barker's Chauffeur (uncredited) | |
Directed by | |||
| Ernst Lubitsch | |||
Writing credits | ||
| Melchior Lengyel | (play "Angyal") | |
| Guy Bolton | (adaptation: English play) and | |
| Russell G. Medcraft | (adaptation: English play) (as Russell Medcraft) | |
| Samson Raphaelson | (screenplay) | |
| Frederick Lonsdale | (contributor to screenplay construction) uncredited | |
Produced by | |||
| Ernst Lubitsch | .... | producer | |
Original Music by | |||
| Friedrich Hollaender | (as Frederick Hollander) | ||
| Werner R. Heymann | (uncredited) | ||
Cinematography by | |||
| Charles Lang | (as Charles Lang Jr.) | ||
Film Editing by | |||
| William Shea | |||
Art Direction by | |||
| Hans Dreier | |||
| Robert Usher | |||
Costume Design by | |||
| Travis Banton | |||
Production Management | |||
| John Hammell | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joe Lefert | .... | assistant director (uncredited) | |
Art Department | |||
| A.E. Freudeman | .... | interior decorator | |
Sound Department | |||
| Louis Mesenkop | .... | sound recordist | |
| Harry D. Mills | .... | sound recordist (as Harry Mills) | |
| Louis Mesenkop | .... | dubbing mixer (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | special photographic effects | |
| Lloyd Knechtel | .... | photographic effects (uncredited) | |
| Harry Perry | .... | photographic effects (uncredited) | |
Camera and Electrical Department | |||
| Eric Locke | .... | photographer: second unit, Europe (uncredited) | |
| Harry Perry | .... | photographer: second unit, Europe (uncredited) | |
Editorial Department | |||
| Harvey Johnston | .... | assistant cutter (uncredited) | |
Music Department | |||
| Boris Morros | .... | musical director | |
| Maurice Lawrence | .... | music supervisor (uncredited) | |
| John Leipold | .... | composer: stock music (uncredited) | |
Other crew | |||
| Adolph Zukor | .... | presenter | |
| Alain Delorme | .... | subtitles: French version (uncredited) | |
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| Rebecca | Damage | Dodsworth | The Painted Veil | The Accompanist |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Lubitsch is recognized as one of the great directors of the 30s, and yet this wonderful film is not on any of the usual critical lists of notable films. Perhaps it was too modern for its time. It is perhaps Dietrich's best English performance (though even here she could be a bit more subtle), but the real star is the director, shining in the shots he composes and performances he coaxes from his actors. Lubitsch is a master of subtlety, and when he places important moments off-screen, it is in such a way as to heighten their impact. Since the censorship code is in effect, the sexual elements are cleverly concealed. For example, Halton and Barker discover that in Paris they both visited the same... seamstress. The naive Hays Office must have thought that was the joke, but the real joke is on them for it is clear--at least today--that the two did not visit her to get their sewing done. The sophistication of the film is unusual for its time.
Pages could be written about this film. Suffice it to say that if you like 30s film at all, see this. In certain moments, it feels perfect. Probably one of the top 25 of the decade.