In Tokyo in 1888, Kikunosuke Onoue, the adoptive son of an important actor, discovers that he is praised for his acting only because he is his father's heir, and that the troupe complains ... See full summary »
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over ... See full summary »
In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives ... See full summary »
Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for ... See full summary »
In the post-war, the sixteen year-old teenager Eiko seeks out the geisha Miyoharu in the district of Gion, in Kyoto asking her to be a "maiko" (apprentice of geisha). Eiko explains that her... See full summary »
Ishun is a wealthy, but unsympathetic, master printer who has wrongly accused his wife and best employee of being lovers. To escape punishment, the accused run away together, but Ishun is certain to be ruined if word gets out.
A woman's struggle for equality in Japan in the 1880s. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, ... See full summary »
Shinobu and her brother Genichiro plead with the famous swordsman Musashi Miyamoto to teach them swordsmanship to avenge their father's death. The killers of their father see the sister and... See full summary »
The Tolstoi novel, already filmed in Japan as KARUSHA in 1914, is a distant progenitor of this contemporary account.
Typical Mizoguchi weepy. The inn maid finds her affair with the manager is opposed by his parents. Separated, the girl is forced to give up her child but later, with her entertainer partner, retrieves it and returns to the snow bound inn.
The film making is sophisticated, particularly for the mid thirties, with the influence of the German Street Films evident. Strong imagery, composition in depth, long trackings, atmospheric interiors intercut with location shooting, where distant factory chimneys belch smoke.
Every so often direction tries too hard. This is not comparable to the fifties costume film trio.
A good copy of the Black and white original must have been impressive.
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