Kiyone Sakurai, an apprentice swordmaker makes a sword for his guardian, Kozaemon Onoda. Onoda breaks the sword while defending his lord which eventually leads to his death at the hands of ... See full summary »
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over ... See full summary »
Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as ... See full summary »
Special Forces commander Captain Tadamori returns to Kyoto after successfully defeating the uprising of pirates in the western sea of Japan. But because the high courtiers dislike career ... See full summary »
The Tolstoi novel, already filmed in Japan as KARUSHA in 1914, is a distant progenitor of this contemporary account.
Typical Mizoguchi weepy. The inn maid finds her affair with the manager is opposed by his parents. Separated, the girl is forced to give up her child but later, with her entertainer partner, retrieves it and returns to the snow bound inn.
The film making is sophisticated, particularly for the mid thirties, with the influence of the German Street Films evident. Strong imagery, composition in depth, long trackings, atmospheric interiors intercut with location shooting, where distant factory chimneys belch smoke.
Every so often direction tries too hard. This is not comparable to the fifties costume film trio.
A good copy of the Black and white original must have been impressive.
1 of 2 people found this review helpful.
Was this review helpful to you?