Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
Believing a German spy has killed her new husband (Franchot Tone), Suzy, a struggling chorus girl (Jean Harlow) flees to Paris where she meets and marries a WWI pilot (Cary Grant) whose carefree ways brings about unexpected results.
Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is... See full summary »
Fisherman Dutch marries cannery worker Hattie. He quits his poorly paid job to concentrate on getting better working conditions as union leader. Unfortunately, the union members disagree ... See full summary »
Magazine publisher Van Stanhope is a hard-working, dynamic executive very happily married to his beautiful wife Linda. Although their relationship is is built on unconditional trust, friends caution her about the dangers of allowing Whitey, her husband's extremely sexy secretary, to continue to have access to him. Even Van's mother warns Linda that Van's father philandered during their marriage, and Van, like all men, will eventually succumb to opportunity and temptation. Although Whitey has a faithful boyfriend, she secretly harbors unrequited feelings for her boss. When they take business trip to Havana, circumstantial evidence convinces Linda that the rumors she's heard may have a basis in fact. Written by
Gabe Taverney (email@example.com)
The name of one of the screenwriters, Alice Duer Miller, is seen as the author of an article in a magazine, and Clark Gable remarks, "Hey, Alice has written a very nice article here." See more »
At the end of the ice skating sequence the camera pans up and to the left, and the boom mic operator was unable to get the mic out of the way in time. For a second it takes up nearly the entire right upper quarter of the screen. See more »
All of the MGM machinery is in place to make this slight little story into an enjoyable bit of entertainment. Three of the studio's biggest and most endearing stars headline the film. Gable plays a hotshot businessman who has a beautiful, affectionate wife (Loy) at home and a beautiful, dutiful secretary (Harlow) at the office. Loy has no reason to feel threatened by the curvy, good-natured Harlow until Gable's mother (Robson) plants the seeds of doubt in her mind. Once her friends chime in as well and Gable and Harlow are in the midst of a major, hush-hush deal, she begins to think that perhaps she is the odd man out. Meanwhile, (a very young) Stewart waits patiently for Harlow to give up her career and marry him. The title comes true in one, fairly-considerate, verbal sparring match near the end. Gable is extremely charming and offhanded in this film. He does as he pleases and doesn't care to answer to anyone or explain his behavior. Loy is also very witty and refreshingly forward-thinking for most of the movie. The couple shares a delightful on screen relationship in which a healthy sex life is clearly implied. Harlow (sporting hair a shade or two darker than when she's playing an outwardly sexual character) does an admirable job of portraying the dedicated, indispensable assistant who may really have some unexplored feelings for her boss. Though the plot is contrived and simplistic in the extreme, the stars do manage to put it over and hold interest. It's not a very realistic film, but who wanted that anyway during The Depression? It's a frothy, fun, occasionally dramatic piece of old Hollywood candy.
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