| Sylvia Bataille | ... | Henriette | |
| Georges D'Arnoux | ... | Henri (as Georges Saint-Saens) | |
| Jane Marken | ... | Madame Dufour (as Jeanne Marken) | |
| André Gabriello | ... | Monsieur Dufour (as Gabriello) | |
| Jacques B. Brunius | ... | Rodolphe (as Jacques Borel) | |
| Paul Temps | ... | Anatole | |
| Gabrielle Fontan | ... | La grand' mère / Grandmother | |
| Jean Renoir | ... | Père Poulain / Uncle Poulain | |
| Marguerite Renoir | ... | La servante / Waitress | |
| rest of cast listed alphabetically: | |||
| Pierre Lestringuez | ... | Un vieux curé / Old priest | |
| Georges Bataille | ... | Seminarian (uncredited) | |
| Jacques Becker | ... | Seminarian (uncredited) | |
| Henri Cartier-Bresson | ... | Seminarian (uncredited) | |
| Alain Renoir | ... | Boy fishing (uncredited) | |
Directed by | |||
| Jean Renoir | |||
Writing credits(in alphabetical order) | ||
| Guy de Maupassant | short story | |
| Jean Renoir | ||
Produced by | |||
| Pierre Braunberger | .... | producer | |
Original Music by | |||
| Joseph Kosma | (as Kosma) | ||
Cinematography by | |||
| Claude Renoir | |||
Film Editing by | |||
| Marinette Cadix | |||
| Marguerite Renoir | (as Marguerite Houle Renoir) | ||
Set Decoration by | |||
| Robert Gys | (uncredited) | ||
Makeup Department | |||
| Eugène Gaidaroff | .... | makeup artist (uncredited) | |
Production Management | |||
| Roger Woog | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jacques Becker | .... | first assistant director | |
| Henri Cartier-Bresson | .... | second assistant director (as Henri Cartier) | |
| Yves Allégret | .... | assistant director (uncredited) | |
| Claude Heymann | .... | assistant director (uncredited) | |
| Luchino Visconti | .... | assistant director (uncredited) | |
Sound Department | |||
| Joseph de Bretagne | .... | sound (as Jo De Bretagne) | |
| Marcel Courmes | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Jean Bourgoin | .... | assistant camera | |
| Eli Lotar | .... | still photographer (as Lotar) | |
| Albert Viguier | .... | assistant camera (as Viguier) | |
Editorial Department | |||
| Marcel Cravenne | .... | assistant editor (uncredited) | |
Music Department | |||
| Roger Desormière | .... | conductor (uncredited) | |
Other crew | |||
| Jacques B. Brunius | .... | administrator (as Brunius) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb France section |
Day in the Country, A (1936)
**** (out of 4)
Incredibly touching and extremely beautiful film from the French master Renoir. A Parisian father takes his wife, mother-in-law, daughter and future son in law on a trip to the country where they plan to have a picnic. While the men fish two gentlemen with not-so-innocent plans take the women on a canoe ride. I've been looking to see this film for quite sometime even though the reviews I've read have been rather mixed. I personally found this film to be incredibly beautiful and I'd probably put it as the greatest French film I've seen. The peacefulness of the country that Renoir brings to the screen is quite breathtaking and he really does capture the freeness of being out in the middle of no where surrounding by silence. I thought all of the characters were very well written and the dialogue suited each of them perfectly. A lot of times all the characters sound the same but I was very please to see how different each of them were. The film runs a very short 40-minutes but Renoir throws everything into the picture. This includes terrific laughs and some very heartfelt moments towards the end of the movie. The film also features some very beautiful cinematography including a terrific sequence near the end where the river is shown with rain drops hitting it. Another great sequence comes early on when the two men are inside the diner and push the window open to reveal what's outside. This scene works even better thanks in large part to the terrific score by Joseph Kosma. All of the performances are great but Sylvia Bataille is the real standout as the daughter who is going to encounter and lose love over the span of a short evening. Jacques Borel is also worth mentioning as the womanizer who adds a lot of the comedy to the film. I've heard various stories about the short running time. It seems Renoir never go to finish the film but to me the running time is perfect and it's amazing what the director does capture and show in the short time.