During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police description. His name is Amedee Lange, and he murdered Batala in Paris. ... See full summary »
There are rare and fleeting moments in film history when one is suddenly given a glimpse of the specific beauty of the medium. This sort of ephemeral beauty can only be expressed by the marriage of temporal and spacial (and some may include auditory) elements that is singular to film. One such moment is the storm sequence in "Une partie de campagne." I saw this film once, several years ago, and yet the haunting poetry of that scene still sticks in my mind vividly. Combined with the intense love scene which precedes it, and its contrast to the overall frivolity of the narrative, makes it the most beautiful film of one of film's greatest directors. If you get the chance to see it, its well worth your 40 minutes.
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