Sergeant Victor comes to the French Foreign Legion after taking the blame for his brother's crime. Cigarette falls in love with him though Major Doyle is in love with her. Doyle sends ... See full summary »
On their wedding night Bob informs his new bride Betty that he has bought a chicken farm. An abandoned chicken farm, to be exact, which is obvious when the two move in. Betty endures Bob's ... See full summary »
At a hotel in the middle of the Sahara Desert, an old man and his beautiful daughter try to keep the location of a hidden treasure from a collection of thieves and criminals staying at the ... See full summary »
Four passengers escape their bubonic plague-infested ship and land on the coast of a wild jungle. In order to reach safety they have to trek through the jungle, facing wild animals and attacks by primitive tribesmen.
Cecil B. DeMille
In the mid-1700's the East India Company has power over commerce on the sub-continent, with the blessings of the British government. A clerk in the company, Robert Clive, is frustrated by ... See full summary »
Sergeant Victor comes to the French Foreign Legion after taking the blame for his brother's crime. Cigarette falls in love with him though Major Doyle is in love with her. Doyle sends Victor on dangerous assignments to be rid of him. He falls in love with Lady Venetia Cunningham, a visitor to the garrison. Written by
Ed Stephan <firstname.lastname@example.org>
Colman and Colbert shine in lackluster desert opus
There's not much plot here - for that go to THE FOUR FEATHERS and BEAU GESTE. Basically it's a quadrangle. Colman is loved by two women, the aristocratic Russell and the camp follower, Colbert. He loves only Russell, though God knows why when he has feisty Colbert. McLaglen loves Colbert and because she is in love with Colman, engineers dangerous missions for Colman, hoping he won't return from one of them. The first hour is rather dull, only establishing the love relationships. The second half is a bit more stimulating, taking place out in the desert with forced marches and Arab attacks.
Lloyd directs blandly. Colman and Colbert are wonderful in their roles, she even better than he - though Hollywood's idea of eyebrow pencilling starts about a foot above her head. See it for these two stars, not the action.
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