Mickey has been reading Alice in Wonderland, and falls asleep. He finds himself on the other side of the mirror, where the furniture is alive. He eats a walnut, which makes him briefly ... See full summary »
Mickey has been reading Alice in Wonderland, and falls asleep. He finds himself on the other side of the mirror, where the furniture is alive. He eats a walnut, which makes him briefly larger, then small. He dances around a lot, ultimately doing a major number with a deck of cards. He dances with the queen, making the king jealous. He comes after Mickey with swords, and Mickey defends himself with a sewing needle. Mickey gets the upper hand, and the king calls for reinforcements. Mickey finds himself chased by several decks, which throw their spots at him. He turns on a fan and blows them away, back through the mirror, where his alarm is ringing. Written by
Jon Reeves <firstname.lastname@example.org>
Like the famous literary Alice, Mickey goes THRU THE MIRROR to find himself in a very strange room where almost anything can happen...and probably will.
Here is one of the classic Mouse films - an exercise in sheer exuberant delight. Taking Lewis Carroll as the departure point, the Disney artists crafted a tale of visual excitement & great good fun. Music propels the action and Mickey's joyous dance - backed up by matches, white gloves & a whole pack of cards - proves to be a salute to both Fred Astaire & Busby Berkeley. The Queen of Hearts card - the Mouse's soulful dancing partner at one point - is a spoof of Greta Garbo. Look fast near the end for a quick cameo by King Neptune, who starred in his own SILLY SYMPHONY back in 1932. Walt Disney provides Mickey with his squeaky voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work will always pay off.
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