Four outlaws come to New Jerusalem, a town full of courteous and religious people, to rob the bank. After shooting the president of the bank, only three make it out of town followed by the ...
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When four men rob a bank, one is killed and the other three escape into the desert where they lose their horses in a storm. Finding a woman who gives birth, they are made godfathers only to... See full summary »
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
A distinguished English gentleman has a secret life--he is the notorious jewel thief the press has dubbed "The Amateur Cracksman". When he meets a woman and falls in love he decides to "... See full summary »
Harry d'Abbadie d'Arrast
Hank owns horses, stables horses and races horses. He favorite horse always wins and he is prosperous and will known. His son (Bob), however dreams only of the future of the horseless ... See full summary »
Roy Del Ruth
Four outlaws come to New Jerusalem, a town full of courteous and religious people, to rob the bank. After shooting the president of the bank, only three make it out of town followed by the posse. By the time they get to the second desert water hole, they find it dry and also find a wagon with a dying mother and baby. When the horses are dead the next morning, the three outlaws have no choice but to try to walk back to New Jerusalem and only two want to take the baby. Written by
Tony Fontana <email@example.com>
This touching moral lesson had been done as a silent version and in another version which is more known because of the renown of its director John Ford, but this version is equally as good as the latter version. Being an MGM version, it's a bit smaltzy as MGM movies of the thirties tended to emphasize that aspect of a story but director, Richard Boleslawski is able to keep the proceedings honest and true. Chester Morris, Lewis Stone and Walter Brennan are very good as the outlaws who ride into and rob a bank in a pious town - Chester Morris plays the "I don't give a damn" cowboy perfectly and with resonance. They make their getaway and in the desert find a baby, and the psychological issues of right and wrong as their paternal, maternal and surrogate parental instincts that exist in all of us take over. As they try to save the child, the trials and tribulations they go through bring out the best qualities of human nature in all of them in us, the audience, as well.
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