6.7/10
5,311
102 user 76 critic

Things to Come (1936)

Not Rated | | Drama, Sci-Fi, War | 14 September 1936 (UK)
The story of a century: a decades-long second World War leaves plague and anarchy, then a rational state rebuilds civilization and attempts space travel.

Writers:

(novel), (screenplay)
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Cast

Complete credited cast:
...
John Cabal / Oswald Cabal
Edward Chapman ...
Pippa Passworthy / Raymond Passworthy
...
The Boss
Margaretta Scott ...
Roxana / Rowena (as Margueretta Scott)
...
Theotocopulos
Maurice Braddell ...
Dr. Harding
Sophie Stewart ...
Mrs. Cabal
...
Richard Gordon (as Derrick de Marney)
...
Mary Gordon
Pearl Argyle ...
Catherine Cabal
Kenneth Villiers ...
Maurice Passworthy
Ivan Brandt ...
Morden Mitani
Anne McLaren ...
The Child
Patricia Hilliard ...
Janet Gordon
Charles Carson ...
Great Grandfather
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Storyline

A global war begins in 1940. This war drags out over many decades until most of the people still alive (mostly those born after the war started) do not even know who started it or why. Nothing is being manufactured at all any more and society has broken down into primitive localized communities. In 1966 a great plague wipes out most of what people are left but small numbers still survive. One day a strange aircraft lands at one of these communities and its pilot tells of an organization which is rebuilding civilization and slowly moving across the world re-civilizing these groups of survivors. Great reconstruction takes place over the next few decades and society is once again great and strong. The world's population is now living in underground cities. In the year 2035, on the eve of man's first flight to the moon, a popular uprising against progress (which some people claim has caused the wars of the past) gains support and becomes violent. Written by Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>

Plot Summary | Add Synopsis

Taglines:

H.G.Wells' "Things To Come" will astound the entire world! See more »

Genres:

Drama | Sci-Fi | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 September 1936 (UK)  »

Also Known As:

A Vida Futura  »

Box Office

Budget:

£300,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (VHS) | (premiere cut) | (original) | (cut) | (DVD)

Sound Mix:

(Western Electric Sound System Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film drew huge audiences upon its opening in New York City. Advertisements for the film mentioned that large crowds continually flocked to New York's Rivoli Theatre from 9:30am on opening day until the ad went to press four days later. The initial interest in the film apparently wore off, as the film earned significantly less at the box office than the studio had expected. See more »

Goofs

In Everytown in 1970 industrial production has ceased, but the Boss's men are still able to go into battle against the Hill People with firearms, including machine guns, which couldn't be used without an industrial infrastructure to produce ammunition for them. See more »

Quotes

John Cabal: If we don't end war, war will end us.
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Crazy Credits

During the opening credits, as the title is revealed, the shadow over the letters is removed as if the clouds in the background are blowing past it. See more »

Connections

Referenced in Rewind This! (2013) See more »

Soundtracks

The First Noel
(uncredited)
Traditional 18th Century Cornish Christmas Carol
Arranged by Arthur Bliss
Heard during opening montage.
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Frequently Asked Questions

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User Reviews

a testament to the price of progress
8 December 2002 | by See all my reviews

While this film stands the test of time as a science fiction classic, its importance may not lie in its depiction of future wars, pestilence, and rebuilding. The most telling prediction comes in the latter part of the film -- the worker revolt. I disagree with the premise that workers would revolt out of fear of space travel. But, the idea of revolt out of fear of what technology is (and will) do to their lives is a real fear. Even today.

Sociologists who've read the Unibomber's manifesto have said that, while his methods and mentality were unsound, some of his suppositions on the effects of automation on humanity were plausible. We've evolved from a craft culture (human) to a mechanized culture (where humans used machines to meet the needs of humans) to an automated culture (where humans are expected to adapt themselves to the needs of their machines). Don't believe it? Pull a check out of your checkbook and look on the back. You'll find the words "Do not write below this line." This is NOT a request or suggestion, it's an ORDER to conform to the needs of machines that read checks.

Still, the film clearly illustrates a future that will eventually occur -- one where some people put all their trust and faith in our modern marvels -- while others left powerless and impotent by these modern marvels ask whether this progress was worth the price.


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