In the future, human race sets up colonies on the Moon, when Earth becomes uninhabitable. A madman decides to destroy the Moon colonies with his robots and automated ships and only three people and their robot dog can stop him.
Covering the tulip festival in Little Delft, Michigan, reporter Henry Taggart takes a room at an inn ran by an eccentric old Dutchman, Mr. Van Maaster and his seven daughters. The eldest, ... See full summary »
A global war begins in 1940. This war drags out over many decades until most of the people still alive (mostly those born after the war started) do not even know who started it or why. Nothing is being manufactured at all any more and society has broken down into primitive localized communities. In 1966 a great plague wipes out most of what people are left but small numbers still survive. One day a strange aircraft lands at one of these communities and its pilot tells of an organization which is rebuilding civilization and slowly moving across the world re-civilizing these groups of survivors. Great reconstruction takes place over the next few decades and society is once again great and strong. The world's population is now living in underground cities. In the year 2035, on the eve of man's first flight to the moon, a popular uprising against progress (which some people claim has caused the wars of the past) gains support and becomes violent. Written by
Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>
Before filming started, author H.G. Wells told everyone connected with the movie how much he'd hated Fritz Lang's film Metropolis (1927) and how he wanted them to do the opposite of what Lang (whom he called "Lange") and his crew had done. See more »
During the bombing of Everytown, a man in a top hat follows several people across the hood of a car in an attempt to escape. There are footprints clearly all over the hood. A later scene shows more people using the same car, But this time the hood is clean. See more »
Oh, God, is there ever to be any age of happiness? Is there never to be any rest?
Rest enough for the individual man - too much, and too soon - and we call it death. But for Man, no rest and no ending. He must go on, conquest beyond conquest. First this little planet with its winds and ways, and then all the laws of mind and matter that restrain him. Then the planets about him and at last out across immensity to the stars. And when he has conquered all the deeps of space and all the mysteries ...
[...] See more »
During the opening credits, as the title is revealed, the shadow over the letters is removed as if the clouds in the background are blowing past it. See more »
Things to Come is that rarity of rarities, a film about ideas. Many films present a vision of the future, but few attempt to show us how that future came about. The first part of the film, when war comes to Everytown, is short but powerful. (Ironically, film audiences in its release year laughed at reports that enemy planes were attacking England--appeasement was at its height. Wells' prediction was borne out all too soon.) The montage of endless war that follows, while marred by sub-par model work, is most effective. The explanatory titles are strongly reminiscent of German Expressionist graphic design. The art director was the great William Cameron Menzies, and his sets of the ruins of Everytown are among his best work. Margaretta Scott is very seductive as the Chief's mistress. The Everytown of the 21st century is an equally striking design. The acting in the 21st century story is not compelling--perhaps this was a misfired attempt to contrast the technocratic rationality of this time with the barbarism of 1970. Unfortunately, the model work, representing angry crowds rushing down elevated walkways, is laughably bad and could have been done much better, even with 30s technology. This is particularly galling since the scenes of the giant aircraft are very convincing. This is redeemed by Raymond Massey's magnificent speech that concludes the film--rarely has the ideal of scientific progress been expressed so well. Massey's final question is more relevant now than ever, in an era of severely curtailed manned spaceflight. The scene is aided by the stirring music of Sir Arthur Bliss, whose last name I proudly share.
Unfortunately, the VHS versions of this film are absolutely horrible, with serious technical problems. Most versions have edited out a rather interesting montage of futuristic workers and machines that takes us from 1970 to 2038. I hope a good DVD exists of the entire film.
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